Fix what’s wrong, but don’t rewrite what the artist wrote. Stick to the official released version — album booklet, label site, verified lyric video, etc. If you’re guessing, pause and double-check.
Respect the structure
Songs have rhythm. Pages do too. Leave line breaks where they belong. Don’t smash things together or add extra empty space just for looks.
Punctuation counts (but vibe-editing doesn’t)
Correct typos? Yes. Re-punctuating a whole verse because it ‘looks better’? Probably not. Keep capitalization and punctuation close to the official source.
Don’t mix versions
If you’re editing the explicit version, keep it explicit. If it’s the clean version, keep it clean. No mashups.
Let the lyrics be lyrics
This isn’t the place for interpretations, memories, stories, or trivia — that’s what comments are for. Keep metadata, translations, and bracketed stage directions out unless they’re officially part of the song.
Edit lightly
If two lines are wrong… fix the two lines. No need to bulldoze the whole page. Think ‘surgical,’ not ‘remix.’
When in doubt, ask the crowd
Not sure what they’re singing in that fuzzy bridge? Drop a question in the comments and let the music nerds swarm. Someone always knows.
We took him to town
Pushed him around
Little boy Hercules
I'm pretty sure is how it goes in the second verse.
I think the song, and probably the whole concept of this project, is that the strongest figure you could think of, Hercules, is just as easily brought down by love. It's a cool idea for a dance album, and that's ultimately what's it's about (dancing), so it's kind of silly to go into too much detail about the "meaning".
Spot on, aangelene. Definitely, the strongest man in all the land Hercules finds himself facing the ultimate challenge of love. He is strong and triumphant, and this is shown by the music's powerful disco-strutting vibe. The music is triumphant, but Hercules is tempted when the vocals come in, telling the story from the woman's view and her attempts at trying to seduce him. Likely Hercules is already committed to someone already, and tries to resist, but Hercules finds himself more and more conflicted as the tension rises in the music near the end of the track, finally breaking as the song ends.
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We took him to town Pushed him around Little boy Hercules
I'm pretty sure is how it goes in the second verse.
I think the song, and probably the whole concept of this project, is that the strongest figure you could think of, Hercules, is just as easily brought down by love. It's a cool idea for a dance album, and that's ultimately what's it's about (dancing), so it's kind of silly to go into too much detail about the "meaning".
I think it might be:
I think it might be:
He took 'em to town Pushed 'em around Little boy Hercules
He took 'em to town Pushed 'em around Little boy Hercules
I am pretty sure that instead of "little boy," every other verse, they say "lover boy"
Spot on, aangelene. Definitely, the strongest man in all the land Hercules finds himself facing the ultimate challenge of love. He is strong and triumphant, and this is shown by the music's powerful disco-strutting vibe. The music is triumphant, but Hercules is tempted when the vocals come in, telling the story from the woman's view and her attempts at trying to seduce him. Likely Hercules is already committed to someone already, and tries to resist, but Hercules finds himself more and more conflicted as the tension rises in the music near the end of the track, finally breaking as the song ends.
Hercules is in a love affair.
daaang this song is of the hook