He reuses the verse melody from the previous album's "Dirty Little Religion", the topics of the verses are all over the place, and he packs too many words into one line (goes to show...) and too few in another (it's pretty hard to find), and rhymes "Henley Regatta" with "Persona non grata", but gets away with it all as only he could.
I saw you leave the house last night
You rounded the bend and came across the porch and stood tall
And I've reason to believe
That you were eavesdropping on me
That you were eavesdropping on me
On me
On me
On me
On me
You rounded the bend and came across the porch and stood tall
And I've reason to believe
That you were eavesdropping on me
That you were eavesdropping on me
On me
On me
On me
On me
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The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
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"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
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This is about bronies. They communicate by stomping.
when i saw them at pitchfor, they seemed to play mostly off of horn of plenty. since then I've stopped listening to yellow house. this and deep sea diver are incredible songs.
the only lyrics i was somewhat unsure of in this song was the "stood tall" part.