Fix what’s wrong, but don’t rewrite what the artist wrote. Stick to the official released version — album booklet, label site, verified lyric video, etc. If you’re guessing, pause and double-check.
Respect the structure
Songs have rhythm. Pages do too. Leave line breaks where they belong. Don’t smash things together or add extra empty space just for looks.
Punctuation counts (but vibe-editing doesn’t)
Correct typos? Yes. Re-punctuating a whole verse because it ‘looks better’? Probably not. Keep capitalization and punctuation close to the official source.
Don’t mix versions
If you’re editing the explicit version, keep it explicit. If it’s the clean version, keep it clean. No mashups.
Let the lyrics be lyrics
This isn’t the place for interpretations, memories, stories, or trivia — that’s what comments are for. Keep metadata, translations, and bracketed stage directions out unless they’re officially part of the song.
Edit lightly
If two lines are wrong… fix the two lines. No need to bulldoze the whole page. Think ‘surgical,’ not ‘remix.’
When in doubt, ask the crowd
Not sure what they’re singing in that fuzzy bridge? Drop a question in the comments and let the music nerds swarm. Someone always knows.
I fucking love this song. The way it is foreshadowed with little breaks into the moaning deep voices in previous songs. The way it starts out as just another of Montreal avant-pop piece, almost a lower key neutral of what Repudiated Immortals achieves- but takes a left turn suddenly dropping the listener into hell. The deep, moaning voices murmuring on for just long enough to make you get an impression of eternity, rather than a brief diversion in a pop song. It almost reminds me of a Hellraiser kind of thing.
I can't believe no one commented on this yet, such an original song.
this is my absolute favorite of montreal song. it has a wide variety of overwhelmingly powerful feelings of deeper and deeper magnitude as the song progresses
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I fucking love this song. The way it is foreshadowed with little breaks into the moaning deep voices in previous songs. The way it starts out as just another of Montreal avant-pop piece, almost a lower key neutral of what Repudiated Immortals achieves- but takes a left turn suddenly dropping the listener into hell. The deep, moaning voices murmuring on for just long enough to make you get an impression of eternity, rather than a brief diversion in a pop song. It almost reminds me of a Hellraiser kind of thing.
I can't believe no one commented on this yet, such an original song.
this is my absolute favorite of montreal song. it has a wide variety of overwhelmingly powerful feelings of deeper and deeper magnitude as the song progresses