It's what you all been waiting for, ain't it?
What people pay paper for, damn it, they can't stand it
They want something new, so let's get reacquainted
Became the hood favorite
I can't even explain it, I surprise myself too

Life of a don, lights keep glowin'
Comin' in the club with that fresh shit on
With somethin' crazy on my arm, uh-uh-uh
And here's another hit, Barry Bonds

We outta here, baby
We outta here, baby
We outta here, baby

"Dude," fresh off the plane, "Konichiwa, bitches"
Turn around another plane, my passport on pivot
Ask for it, I did it, that asshole done did it
Talked it, then he lived it, spit it, then he shit it
I don't need writers, I might bounce ideas
But only I could come up with some shit like this
I done played the underdog my whole career
I've been a very good sport, haven't I, this year?
They say, he going crazy and we seen this before"
But I'm doing pretty good as far as geniuses go
And I'm doing pretty hood in my pink Polo
Nigga please, how you gonna say I ain't no Lo-head
'Cause my Dior got me more model head?
I'm insulted, you should go 'head
And bow so hard until your knees hit your forehead
And the flow just hit code red
Top five MCs, you ain't gotta remind me
Top five MCs, you gotta rewind me
I'm high up on the line, you could get behind me
But my head's so big, you can't sit behind me (sit behind me)

Life of a don, lights keep glowin'
Comin' in the club with that fresh shit on
With somethin' crazy on my arm, uh-uh-uh
And here's another hit, Barry Bonds

Yeah, yeah, we outta here, baby
What? What? We outta here, baby
Hey, Mr. West, we so outta here, baby

And me, I'm Mr. Weezy Baby
Yeah, I'm so bright, not shady
My teeth and my ice so white like Shady
Ice in my teeth so refrigerated
I'm so fuckin' good like I'm sleepin' with Meagan (ha)
I'm all about my Franklins, Lincolns and Reagans
Whenever they make them, I shall "hay-ve" them
Oops, I meant "have" them, I'm so crazy
But if you play crazy, you be sleeping with daisies
I'm such a "hay-vic," oops, I meant "havoc"
And my drink's still pinker than the Easter rabbit
And I'm still col' like Keyshia's family
Stove on my waist, turn beef to patties (baow)
And I ate it, cause I'm so avid (no homo)
And I don't front and I don't go backwards
And I don't practice and I don't lack shit
And you can get buried, suck my bat, bitch (ha)

We outta here, baby
We outta here, baby
We outta here, baby
Swag at a hundred and climbin', baby, yeah

Life of a don, lights keep glowin'
Comin' in the club with that fresh shit on
With somethin' crazy on my arm, uh-uh-uh
And here's another hit, Barry Bonds


Lyrics submitted by strykerchick

Barry Bonds Lyrics as written by N Landsberg Mike Dean

Lyrics © Universal Music Publishing Group, Royalty Network, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Lyrics powered by LyricFind

Barry Bonds (feat. Lil Wayne) song meanings
Add Your Thoughts

12 Comments

sort form View by:
  • +1
    General Comment

    It's:

    'Nigga please, how you gonna say I ain't no Lo-head / Cuz my Dior got me more model head?'

    Lo as in Polo; Lo-head being somebody that wears a lot of Polo. And then he just stretches out an alters 'model' to sound kinda like 'mah-do', ya know? Can't explain that so well, just listen to it.

    DanDieselon April 28, 2009   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.