Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
New York, I love you
But you're bringing me down
New York, I love you
But you're bringing me down
Like a rat in a cage
Pulling minimum wage
New York, I love you
But you're bringing me down
New York, you're safer
And you're wasting my time
Our records all show
You are filthy but fine
But they shuttered your stores
When you opened the doors
To the cops who were bored
Once they'd run out of crime
New York, you're perfect
Don't please don't change a thing
Your mild billionaire mayor's
Now convinced he's a king
So the boring collect
I mean all disrespect
In the neighborhood bars
I'd once dreamt I would drink
New York, I love you
But you're freaking me out
There's a ton of the twist
But we're fresh out of shout
Like a death in the hall
That you hear through your wall
New York, I love you
But you're freaking me out
New York, I love you
But you're bringing me down
New York, I love you
But you're bringing me down
Like a death of the heart
Jesus, where do I start?
But you're still the one pool
Where I'd happily drown
And oh, take me off your mailing list
For kids who think it still exists
Yes, for those who think it still exists
Maybe I'm wrong
And maybe you're right
Maybe I'm wrong
And maybe you're right
Maybe you're right
Maybe I'm wrong
And just maybe you're right
And oh
Maybe mother told you true
And they're always be somebody there for you
And you'll never be alone
But maybe she's wrong
And maybe I'm right
And just maybe she's wrong
Maybe she's wrong
And maybe I'm right
And if so, is there?
But you're bringing me down
New York, I love you
But you're bringing me down
Like a rat in a cage
Pulling minimum wage
New York, I love you
But you're bringing me down
New York, you're safer
And you're wasting my time
Our records all show
You are filthy but fine
But they shuttered your stores
When you opened the doors
To the cops who were bored
Once they'd run out of crime
New York, you're perfect
Don't please don't change a thing
Your mild billionaire mayor's
Now convinced he's a king
So the boring collect
I mean all disrespect
In the neighborhood bars
I'd once dreamt I would drink
New York, I love you
But you're freaking me out
There's a ton of the twist
But we're fresh out of shout
Like a death in the hall
That you hear through your wall
New York, I love you
But you're freaking me out
New York, I love you
But you're bringing me down
New York, I love you
But you're bringing me down
Like a death of the heart
Jesus, where do I start?
But you're still the one pool
Where I'd happily drown
And oh, take me off your mailing list
For kids who think it still exists
Yes, for those who think it still exists
Maybe I'm wrong
And maybe you're right
Maybe I'm wrong
And maybe you're right
Maybe you're right
Maybe I'm wrong
And just maybe you're right
And oh
Maybe mother told you true
And they're always be somebody there for you
And you'll never be alone
But maybe she's wrong
And maybe I'm right
And just maybe she's wrong
Maybe she's wrong
And maybe I'm right
And if so, is there?
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
This is about bronies. They communicate by stomping.
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
brilliant Lou Reed-esque song that echoes a lot of this indie-dance scene in NYC - another good example about how New York was better dirty and fucked up is Radio 4's Dance To The Underground. !!! also feel the same about the city.