Go without
'Til the need seeps in
You're low, anymore
Collecting your novel petals for the stem

And glow
Glow
Melt and flow
You disarrayed your the fragile fray
Spill it out on the ragged floor
A thousand different versions of yourself

And if the old guard still offend
They got nothing left on which you depend
So enlist every ounce
Of your bright blood
And off with their heads
Jump from the hook
You're not obliged to swallow anything you despise
See, those unrepenting buzzards want your life

And they got no right
As sure as you have eyes
They got no right

Just put yourself in my new shoes
And see that I do what I do
Because the old guard still offend (their pudgy hearts and shiny hands)
They got nothing left on which we depend
So enlist every ounce
Of your bright blood
And off with their heads
Jump from the hook
You're not obliged
To swallow anything you despise
That you despise
That you despise
That you despise
That you despise


Lyrics submitted by heyheyhey111, edited by RamuneDrink, HLMencken

Sleeping Lessons Lyrics as written by James Russell Mercer

Lyrics © Universal Music Publishing Group

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Sleeping Lessons song meanings
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    General Comment

    I don't agree that it is an Alice and Wonderland thing. It's more like a Reign of Terror French revolt thing. At that point the people put their trust in a monarchy, where a lot of the trust goes into one person and their committee. The revolts and slaughters that resulted escalated to use of the guillotine that was a powerful symbol at the time, considering all the monarchs and officials who were getting offed by the method. Off with their heads refers back to the days of revolution. I think it's just a loose allusion, but it works well when you think it through. At the time, in the 18th century, there had been a string of serf, commoner, and peasant revolts around Europe, though they all had their causes and timings.

    There's also plenty of military imagery used here in an ironic sense.

    I think it's about a coup of social thinking. In times that are on the verge of revolution or the cusp of new eras (in all areas, art, politics, etc), there is always some need for something different and new...when this has to do with religion or political status or circumstance, the need builds, which is what he talks about in the first stanza. The idea of calling someone a low animal for it is like saying, look what's happening, and you're waiting? You're waiting till it hurts so bad you can't do something? As if it were inhumane, making that person a monster of sorts. By saying that, it urges the audience to /not/ be that.

    fuzzyweaponon February 12, 2007   Link

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