its amazing how far music can come.. 24 years after it released and its one of the most heartfelt songs ive heard
Indifference, driving out the colour
Your voice goes on and on
Rest assured i won't be good enough for you
Don't let them scare you away
Hope in our choices and secrets i can't expose
The truth is i don't understand you i never did
Indifference, driving out the colour
Your sweetness on and on
Rest assured i won't be good enough for you
Don't let them scare you away
Hope in our choices and secrets i can't expose
The truth is i don't understand you i never did
Farewell i know that the distance hurts
The truth is i don't want to notice i never did
Now changes fool no-one all we need is space to grow
So call up the right words and take the blame away
Your voice goes on and on
Rest assured i won't be good enough for you
Don't let them scare you away
Hope in our choices and secrets i can't expose
The truth is i don't understand you i never did
Indifference, driving out the colour
Your sweetness on and on
Rest assured i won't be good enough for you
Don't let them scare you away
Hope in our choices and secrets i can't expose
The truth is i don't understand you i never did
Farewell i know that the distance hurts
The truth is i don't want to notice i never did
Now changes fool no-one all we need is space to grow
So call up the right words and take the blame away
Lyrics submitted by shepay
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Like a lot of the other comments are saying, I think this mainly about voyeurism. If the song was about his girlfriend, then why would he use the word spy. If you are a spy it means you shouldn't be caught, that is kind of the whole point, and if you are a voyeur, the whole point of the pleasure you get from it, is the fact that the other people don't know you are watching them. See a bit of a connection there?
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Word Alive, The
This song is def a twin to "Unfair" (a song she has been quoted as saying is about falling in love with someone who is already in a relationship) so it is presumably about the same person. Given the references to buying an apartment and not being able to see her love interest "after tonight," it's most likely that she's moving away and she'll "wait a day to break the bad news" (i.e. notifying him that she's leaving once she's already gone).
And, of course, the fact that she sees in him a fellow "idealist" and "dreamer" (terms commonly given to people with the INFP personality on the Myers–Briggs Type Indicator (MBTI)) portends that she'll always be left wondering if they would've been perfect together.
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"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
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This is about bronies. They communicate by stomping.
realising that you don't actually care about your relationship. your partner is going on at you and things are continuing as normal, but you can't be bothered with it any more. it's an acceptance that things won't work out, and a plea to just end it and move on, without the blame or pain.