The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Eyewitness
Still waiting for my saviour,
storms tear me limb from limb;
my fingers feel like seaweed...
I'm so far out I'm too far in.
I am a lonely man, my solitude is true
my eyes have borne stark witness
and now my nights are numbered, too.
I've seen the smiles on dead hands,
the stars shine, but they're not for me.
I prophesy disaster and then I count the cost...
I shine but, shining, dying,
I know that I am almost lost.
On the table lies blank paper
and my tower is built on stone
I only have blunt scissors,
I only have the bluntest home...
I've been the witness, and the seal of death
lingers in the molten wax that is my head.
When you see the skeletons
of sailing-ship spars sinking low
You'll begin to wonder if the points
of all the ancients myths
are solemnly directed straight at you...
Pictures/Lighthouse
(Eddies, rocks, ships, collision, remorse)
Eyewitness
No time now for contrition:
the time for that's long past.
The walls are thin as tissue and
if I talk I'll crack the glass.
So I only think on how it might have been,
locked in silent monologue, in silent scream.
I'm much too tired to speak
and, as the waves crash on the bleak
stones of the tower, I start to freak
and find that I am overcome...
S.H.M.
'Unreal, unreal' ghost helmsmen scream
and fall in through the sky,
not breaking through my seagull shrieks...
no breaks until I die:
the spectres scratch on window-slits -
hollowed faces and mindless grins
only intent on destroying what they've lost.
I crawl the wall till steepness ends
in the vertical fall;
my pain has sailed into the sea:
no joking hopes at dawn.
White bone shine in the iron-jaw mask
lost mastheads pierce the freezing dark
and parallel my isolated tower...
no paraffin for the flame
no harbour left to gain.
Presence of the Night / Kosmos Tours
'Alone, alone' the ghosts all call,
pinpoint me in the light.
The only life I feel at all
is the presence of the night.
Would you cry if I died?
Would you catch the final words of mine?
Would you catch my words?
I know that there's no time
I know that there's no rhyme...
false signs find me
I don't want to hate,
I just want to grow;
why can't I let me
live and be free?
but I die very slowly alone.
I know more ways,
I am so afraid,
myself won't let me
just be myself
and so I am completely alone...
The maelstrom of my memory
is a vampire and it feeds on me
now, staggering madly, over the brink I fall.
(Custard's) Last Stand
Lighthouses might house the key
but can I reach the door?
I want to walk on the sea
so that I may better find a shore...
but how can I ever keep my feet dry?
I scan the horizon
I must keep my eyes on all parts of me.
Looking back on the years
it seems that I have lost my way:
Like a dog in the night, I have run to a manger
now I am the stranger I stay in.
All of the grief I have seen
leaves me chasing solitary peace;
But I hold experience in my head...
I'm too close to the light
I don't think I see right, for I blind me...
The Clot Thickens
Where is the God that guides my hand?
How can the hands of others reach me?
When will I find what I grope for?
Who is going to teach me?
I am me / me are we / we can't see
any way out of here.
Crashing sea - a trophied history:
Chance has lost my Guinevere...
I don't want to be one wave in the water
But sea will drag me deep
One more haggard drowned man...
I can see the lemmings coming,
but I know I'm just a man;
Do I join or do I founder?
Which can is the best I may?
Still waiting for my saviour,
storms tear me limb from limb;
my fingers feel like seaweed...
I'm so far out I'm too far in.
I am a lonely man, my solitude is true
my eyes have borne stark witness
and now my nights are numbered, too.
I've seen the smiles on dead hands,
the stars shine, but they're not for me.
I prophesy disaster and then I count the cost...
I shine but, shining, dying,
I know that I am almost lost.
On the table lies blank paper
and my tower is built on stone
I only have blunt scissors,
I only have the bluntest home...
I've been the witness, and the seal of death
lingers in the molten wax that is my head.
When you see the skeletons
of sailing-ship spars sinking low
You'll begin to wonder if the points
of all the ancients myths
are solemnly directed straight at you...
Pictures/Lighthouse
(Eddies, rocks, ships, collision, remorse)
Eyewitness
No time now for contrition:
the time for that's long past.
The walls are thin as tissue and
if I talk I'll crack the glass.
So I only think on how it might have been,
locked in silent monologue, in silent scream.
I'm much too tired to speak
and, as the waves crash on the bleak
stones of the tower, I start to freak
and find that I am overcome...
S.H.M.
'Unreal, unreal' ghost helmsmen scream
and fall in through the sky,
not breaking through my seagull shrieks...
no breaks until I die:
the spectres scratch on window-slits -
hollowed faces and mindless grins
only intent on destroying what they've lost.
I crawl the wall till steepness ends
in the vertical fall;
my pain has sailed into the sea:
no joking hopes at dawn.
White bone shine in the iron-jaw mask
lost mastheads pierce the freezing dark
and parallel my isolated tower...
no paraffin for the flame
no harbour left to gain.
Presence of the Night / Kosmos Tours
'Alone, alone' the ghosts all call,
pinpoint me in the light.
The only life I feel at all
is the presence of the night.
Would you cry if I died?
Would you catch the final words of mine?
Would you catch my words?
I know that there's no time
I know that there's no rhyme...
false signs find me
I don't want to hate,
I just want to grow;
why can't I let me
live and be free?
but I die very slowly alone.
I know more ways,
I am so afraid,
myself won't let me
just be myself
and so I am completely alone...
The maelstrom of my memory
is a vampire and it feeds on me
now, staggering madly, over the brink I fall.
(Custard's) Last Stand
Lighthouses might house the key
but can I reach the door?
I want to walk on the sea
so that I may better find a shore...
but how can I ever keep my feet dry?
I scan the horizon
I must keep my eyes on all parts of me.
Looking back on the years
it seems that I have lost my way:
Like a dog in the night, I have run to a manger
now I am the stranger I stay in.
All of the grief I have seen
leaves me chasing solitary peace;
But I hold experience in my head...
I'm too close to the light
I don't think I see right, for I blind me...
The Clot Thickens
Where is the God that guides my hand?
How can the hands of others reach me?
When will I find what I grope for?
Who is going to teach me?
I am me / me are we / we can't see
any way out of here.
Crashing sea - a trophied history:
Chance has lost my Guinevere...
I don't want to be one wave in the water
But sea will drag me deep
One more haggard drowned man...
I can see the lemmings coming,
but I know I'm just a man;
Do I join or do I founder?
Which can is the best I may?
Lyrics submitted by PlasmaVortex, edited by nirki
A Plague of Lighthouse Keepers: Eyewitness/Pictures/Lighthouse/Eyewitnes Lyrics as written by Hugh Robert Banton David Jackson
Lyrics © BMG Rights Management, Universal Music Publishing Group
Lyrics powered by LyricFind
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More Featured Meanings
Fortnight
Taylor Swift
Taylor Swift
Mental Istid
Ebba Grön
Ebba Grön
This is one of my favorite songs. https://fnfgo.io
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
I’m pretty sure "white bones shine" is correct since that is what Hammill writes at his own website (Sofa Sound). My interpretation is that it refers to the skulls of the dead sailors. It’s not that the lighthouse keeper can actually see the skulls and skeletons (or the sunken ships with their masts that "pierce the freezing dark/and parallel my isolated tower"), these are images he creates inside his head, and they’re slowly making him crazy. Happy ending, though … :-D