This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Everything inside of me
Is burning up for you to see
And if we should get into it
A two-way kind of syndicate
Hold me
Compare us to a Ferris wheel
Just be sure what you want to steal
Some people do it by the book
But I prefer to go by feel
Tell me
I wanted to get out of here
But every time I reappear
Now I have the words my dear
To whisper out into your ear
Hey, yeah
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
The spirit of a dragon's tear
Is lovely at this time of year
The cave within your mountainside
Is deeper than it will be wide
Hold me
My disenchanted diplomat
Asleep inside the laundromat
Conveyor belts are moving
And I want you to be sure of that
Tell me
And if you let it germinate
I know it will be worth the wait
Disputed by the news that it was
You who tried to instigate
Hey, yeah
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Blessed are the hypocrites
Outwitted but she never quits
The trouble with the band of slits
Is washing off the muddy bits
Hey, yeah
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Oh yeah she's with me and I'm your man
If I can't find you no one can
Is burning up for you to see
And if we should get into it
A two-way kind of syndicate
Hold me
Compare us to a Ferris wheel
Just be sure what you want to steal
Some people do it by the book
But I prefer to go by feel
Tell me
I wanted to get out of here
But every time I reappear
Now I have the words my dear
To whisper out into your ear
Hey, yeah
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
The spirit of a dragon's tear
Is lovely at this time of year
The cave within your mountainside
Is deeper than it will be wide
Hold me
My disenchanted diplomat
Asleep inside the laundromat
Conveyor belts are moving
And I want you to be sure of that
Tell me
And if you let it germinate
I know it will be worth the wait
Disputed by the news that it was
You who tried to instigate
Hey, yeah
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Blessed are the hypocrites
Outwitted but she never quits
The trouble with the band of slits
Is washing off the muddy bits
Hey, yeah
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
C'mon girl (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Let's get it right (let's go)
Oh yeah she's with me and I'm your man
If I can't find you no one can
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
The Night We Met
Lord Huron
Lord Huron
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
i just wanted to be the first to comment