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Exodus Damage Lyrics

I'll see you next fall
At another gun show
I'll call the day before, like usual

But I wanted so much more
I got exodus damage bleed
Could not commit
Some things I'll never be

So now we're talking about this
I'm starting to lose my confidence
No one ever says a word about
So much that happens in the world

Dance Dance Revolution
All we're gonna get
Unless it falls apart
So I say: go, go, go, go down
Let it fall down
I'm ready for the end

So the second plane hit at 9:02
I saw it live on a hotel T.V.
Talking on my cell with you
You said this would happen
And just like that, it did
Wrong about the feeling
Wrong about the sound
But right to say we would stand down

An hour went by without a fighter in the sky
You said there's a reason why
So tell me now, I must confess
I'm not sick enough to guess

Dance Dance Revolution
All we're gonna get
Unless it falls apart
So I say: go, go, go, go down
Let it fall down
I'm ready for the end

So you hope that one person
Could solve everything
And for me, that's you
Sometimes that dream
Is a sad delusion
But sometimes it's true

So now we're talking about this
I'm starting to lose my confidence
No one ever says a word about
So much that happens in the world

Dance Dance Revolution
All we’re gonna get
Unless it falls apart
So I say: go, go, go, go down
Let it fall down
I'm ready for the end
Song Info
Submitted by
awsugarcomeon On Oct 11, 2005
15 Meanings

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Cover art for Exodus Damage lyrics by John Vanderslice

"There are definitely some 9-11 refrences in this song."

so the second plane hit at 9:02

You think?

Cover art for Exodus Damage lyrics by John Vanderslice

from Vanderslice himself, the song makes more sense now... Michael Fortier, by the way, worshipped McVeigh:

an erstwhile anti-government militant regrets his shaky commitment to the cause. but is his emotional connection to a mentor about more than politics?

for every dozen michael fortiers, there is only one timothy mcveigh.

title from "black and brown blues" by the silver jews: "rub out the catlight, rub out the village red and white exit light that's exodus damage why don't people think of who they use? why don't you try and come and get me: black and brown blues"

Cover art for Exodus Damage lyrics by John Vanderslice

such a cool damn song. it's the first i've heard of this guy.

Cover art for Exodus Damage lyrics by John Vanderslice

A disenfranchised youth who plays video games but dreams of bringing down governments.

Cover art for Exodus Damage lyrics by John Vanderslice

amazing. it definitely makes more sense now.

Cover art for Exodus Damage lyrics by John Vanderslice

"There are definitely some 9-11 refrences in this song."

so the second plane hit at 9:02

You think?

Cover art for Exodus Damage lyrics by John Vanderslice

LOOSE CHANGE MOTHER FUUUUKERSSSS

thats what this song about

Cover art for Exodus Damage lyrics by John Vanderslice

John Vanderslice is a songwriter whose best songs are about more than one thing at a time. Yes, this song is about 9-11. And about Timothy McVeigh and domestic right-wing terrorists and militia. And about fascism. And about conspiracy, propaganda, religion, government corruption, and the intersection of interpersonal relationships and political acts and beliefs.

This song was also my first exposure to Vanderslice, and everything else of his work I've heard since has also been consistently excellent. My current fave Vanderslice song is a recent discovery: "They Won't Let Me Run" from his 2004 album "Cellar Door".

If you've got an iTunes acount and a spare dollar, go buy "They Won't Let Me Run" now. You will deem it a dollar very well spent, I warrant.

Cover art for Exodus Damage lyrics by John Vanderslice

Keep your "truther" bullshit away from this amazing song. Even if your cause was valid thats not what this song is about.

Cover art for Exodus Damage lyrics by John Vanderslice

Thanks for posting that yep1.

I get the impression from this song that the second thoughts the singer is having in the song is a result of seeing the 9/11 attacks on television. Watching such grotesque violence only makes his cause seem even more senseless. His mentor (and lover?) seems to disagree ("wrong about the feeling, wrong about the sound") with this conclusion, but agrees to put their plans on hold ("right to say we should stand down").

 
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