When there's no way out, the only way out is to give in
When there's no way out, the only way out is to give in
Oh, how I love to give in
Here no one sleeps, one lays up while the other lies down
Where no one sleeps, one lays up while the other lies down
Ask the line on your face what the line on your hand meant
We couldn't see what was coming
Shake your head it's empty
Shake your hips move your feet
Shake your head it's empty
Shake your hips move your feet
I'm so glad that I'm an island now
Sickness was fixing me some
Coughed out my heart in the last stall
Now that the damage is done
I never miss it at all
When there's no way out, the only way out is to give in
Oh, how I love to give in
Here no one sleeps, one lays up while the other lies down
Where no one sleeps, one lays up while the other lies down
Ask the line on your face what the line on your hand meant
We couldn't see what was coming
Shake your head it's empty
Shake your hips move your feet
Shake your head it's empty
Shake your hips move your feet
I'm so glad that I'm an island now
Sickness was fixing me some
Coughed out my heart in the last stall
Now that the damage is done
I never miss it at all
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when there's no way out, the only way out is to give in
that's the best part of the song.
oh dang i havent got to see 'em live!
"There was no way out, the only way out was to give in" could reference extreme cravings for a drug. Withdrawl is so painful and strong that the only way to escape from it is to take more of the drug (give in).
"Here no one sleeps, one lays up while the other lies down"
might mean experiencing the drug's high. Being in a euphoric, relaxed state, but never actually being able to sleep.
"Ask the line on your face what the line on your hand meant"
I personally view this line as a discredit to the "art" of palmistry and other methods of fortune telling. The line is implying that the future can only be viewed by looking back on it when you're older and have actually lived through it. In other words, there is no way of knowing exactly what will happen until it has already happened.
"I'm so glad that I'm an island now" could mean the character is happy to be disconnected from reality when using drugs. (as an island is isolated from a main body of land)
"Coughed out my heart in the last stall
Now that the damage is done
I never miss it at all "
To me, this means that the character's drug addiction has taken away who they used to be and everything they used to love. And once they're high, they don't even miss it either.
I personally view this line as a discredit to the "art" of palmistry and other methods of fortune telling. The line is implying that the future can only be viewed by looking back on it when you're older and have actually lived through it. In other words, there is no way of knowing exactly what will happen until it has already happened.
Agreed. Lines on the face, the wrinkles of experience, of reality, tell the story, not some idiotic, superstitious palm reading. Brilliant, terse, biting sarcasm. I wouldn't say the 'best lyric ever' but very, very powerful.
fanfuckingtastic line.
Shake your head it's empty LOL
The interpretation Haines offers, as provided by jomayo112, is both revelatory and deliberately vague. Her exhortation to "not freak out" in the face of uncontrollable, unforeseen events--essentially, to "empty" your mind and live in the moment--certainly explains the almost jaded resignation that permeates lines like "Ask the line on your face/What the line on your hand meant./We couldn't see/What was coming." But, notably, Haines also refuses to be specific about HOW one might "freak out" and what might trigger this kind of episode, leaving the listener to decide whether the singer is suffering from a failed relationship, a band break-up, a drug habit, an eating disorder, or whatever traumatic circumstance you may want to infer. The common thread here is that all of these responses to stress lead to self-inflicted harm, an intentional deadening to emotional pain that leaves one numb or "empty."
Whatever Haines might want us to believe about her life-affirming intentions, this is an unequivocally sad song. Perhaps, in retrospect, having worked through whatever problems inspired it, she can now reinterpret it as a hopeful embrace of the future. But the alternately melancholic and aggressive chords and passive, alienated lyrics do NOT imply that the singer is in a healthy, positive frame of mind. Rather, the song tells the story of a tragic individual who feels that there is "no way out but to give in," who, in fact, "love[s] to give in," denying and betraying herself because it's so much easier than maintaining her physical or emotional integrity. Her gesture of defiance, symbolized by a vigorous shake of the head, is also her coping mechanism–to "empty" herself, to isolate herself (i.e., become an "island"), to "cough up [her] heart" and flush it away like a piece of trash, and to ultimately convince herself that she "never miss[es] it at all." This intentional emotional deadening, this denial of the thoughts and feelings that make her who she is (her "heart"), is the very worst kind of self-harm. Whether she accomplishes this concretely by getting high, throwing up, leaving a boyfriend, caving to peer pressure, or whatnot isn't really the point. The last, haunting strains of music fade away as we contemplate this empty shell of a person. A celebratory song about acceptance it's not! If anything, it's a chilling reminder of the danger of sacrificing the most precious part of ourselves to anyone or anything.