Oh, well imagine
As I'm pacing the pews in a church corridor
And I can't help but to hear
No, I can't help but to hear an exchanging of words
"What a beautiful wedding
What a beautiful wedding", says a bridesmaid to a waiter
"And, yes, but what a shame
What a shame the poor groom's bride is a whore"
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of
Well, in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne
Oh, well in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne, pour the champagne
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
As I'm pacing the pews in a church corridor
And I can't help but to hear
No, I can't help but to hear an exchanging of words
"What a beautiful wedding
What a beautiful wedding", says a bridesmaid to a waiter
"And, yes, but what a shame
What a shame the poor groom's bride is a whore"
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of
Well, in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne
Oh, well in fact
Well, I'll look at it this way
I mean, technically, our marriage is saved
Well, this calls for a toast
So pour the champagne, pour the champagne
I chime in with a
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
I chime in
"Haven't you people ever heard of closing the goddamn door?"
No, it's much better to face these kinds of things
With a sense of poise and rationality
Again
Lyrics submitted by ADimeADexter, edited by Ninjasauceman, LaserKiwi, thfuckboy, PATDandTOP, emoqueen420, iamsobadatthis
I Write Sins Not Tragedies Lyrics as written by Brendon Urie George Ross
Lyrics © Sony/ATV Music Publishing LLC
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The song is written from the groom's point of view. He's pacing around in the church when he overhears a bridesmaid and a waiter talking about how the bride is a whore. He storms in and says "Haven't you people ever heard of closing the goddamn door?" But then he rethinks things rationally and realizes that really, his marriage is saved and tells them to pour the champane because a saved marriage is something to celebrate.