and there was a booming above you
that night, black airplanes flew over the sea
and they were lowing and shifting like
beached whales
shelled snails
as you strained and you squinted to see
the retreat of their hairless and blind cavalry

you froze in your sand shoal
prayed for your poor soul
sky was a bread roll, soaking in a milk-bowl
and when the bread broke, fell in bricks of wet smoke
my sleeping heart woke, and my waking heart spoke

then there was a silence you took to mean something:
mean, run, sing
for alive you will evermore be
and the plague of the greasy black engines a-skulkin'
has gone east
while you're left to explain them to me
released from their hairless and blind cavalry

with your hands in your pockets, stubbily running
to where I'm unfresh, undressed and yawning
well, what is this craziness? this crazy talking?
you caught some small death when you were sleepwalking

it was a dark dream, darlin', it's over
the firebreather is beneath the clover
beneath his breathing there is cold clay, forever
a toothless hound-dog choking on a feather

but I took my fishingpole (fearing your fever)
down to the swimminghole, where there grows bitter herb
that blooms but one day a year by the riverside - I'd bring it here:
apply it gently
to the love you've lent me

while the river was twisting and braiding, the bait bobbed
and the string sobbed, as it cut through the hustling breeze
and I watched how the water was kneading so neatly
gone treacly
nearly slowed to a stop in this heat
- frenzy coiling flush along the muscles beneath

press on me: we are restless things
webs of seaweed are swaddling
you call upon the dusk
of the musk of a squid
shot full of ink, until you sink into your crib

rowing along, among the reeds, among the rushes
I heard your song, before my heart had time to hush it!
smell of a stone fruit being cut and being opened
smell of a low and of a lazy cinder smoking

and when the fire moves away
fire moves away, son
why would you say
I was the last one?

scrape your knee; it is only skin
makes the sound of violins
when you cut my hair, and leave the birds the trimmings
I am the happiest woman among all women

and the shallow
water
stretches as far as I can see
knee-deep, trudging along
a seagull weeps; "so long"

I'm humming a threshing song
until the night is over
hold on!
hold on!
hold your horses back from the fickle dawn

I have got some business out at the edge of town
candy weighing both of my pockets down
'til I can hardly stay afloat, from the weight of them
(and knowing how the common-folk condemn
what it is I do, to you, to keep you warm
being a woman, being a woman)

but always up the mountainside you're clambering
groping blindly, hungry for anything:
picking through your pocket linings - well, what is this?
scrap of sassafras, eh Sisyphus?

I see the blossoms broke and wet after the rain
little sister, he will be back again
I have washed a thousand spiders down the drain
spiders ghosts hang soaked and dangelin'
silently from all the blooming cherry trees
in tiny nooses, safe from everyone
- nothing but a nuisance; gone now, dead and done
be a woman, be a woman!

though we felt the spray of the waves
we decided to stay 'til the tide rose too far
we weren't afraid, 'cause we know what you are
and you know that we know what you are

awful atoll
- o, incalculable indiscreetness and sorrow!
bawl, bellow:
Sibyl sea-cow, all done up in a bow

toddle and roll;
teeth an impalpable bit of leather
while yarrow, heather and hollyhock
awkwardly molt along the shore

are you mine?
my heart?
mine anymore?

stay with me for awhile
that's an awfully real gun
I know life will lay you down
as the lightning has lately done

failing this, failing this,
follow me, my sweetest friend
to see what you anointed in pointing your gun there

lay it down! nice and slow!
there is nowhere to go, save up
up where the light, undiluted, is weaving in a drunk dream
at the sight of my baby, out back:
back on the patio watching the bats bring night in
- while, elsewhere, estuaries of wax-white
wend, endlessly, towards seashores unmapped

last week our picture window produced a half-word
heavy and hollow, hit by a brown bird
we stood and watched her gape like a rattlesnake
and pant and labour over every intake

I said a sort of prayer for some sort of rare grace
then thought I ought to take her to a higher place
said: "dog nor vulture nor cat shall toy with you
and though you die, bird, you will have a fine view"

then in my hot hand
she slumped her sick weight
we tramped through the poison oak
heartbroke and inchoate

the dogs were snapping
so you cuffed their collars
while I climbed the tree-house
then how I hollered!
cause she'd lain, as still as a stone, in my palm, for a lifetime or two

then, saw the treetops, cocked her head and up and flew
(while, back in the world that moves, often
according to the hoarding of these clues
dogs still run roughly around
little tufts of finch-down)

the cities we passed were a flickering wasteland
but his hand in my hand made them hale and harmless
while down in the lowlands the crops are all coming;
we have everything
life is thundering blissful towards death
in a stampede of his fumbling green gentleness

you stopped by, I was all alive
in my doorway, we shucked and jived
and when you wept, I was gone:
see, I got gone when I got wise
but I can't with certainty say we survived

then down, and down
and down, and down
and down, and deeper
stoke without sound
the blameless flames
you endless sleeper

through fire below, and fire above, and fire within
sleeped through the things that couldn't have been if you hadn't have been

and when the fire moves away
fire moves away, son
why would you say
I was the last one?

all my bones they are gone, gone, gone
take my bones, I don't need none
cold, cold cupboard, Lord, nothing to chew on!
suck all day on a cherry stone

dig a little hole, not three inches round
spit your pit in the hole in the ground
weep upon the spot for the starving of me!
till up grow a fine young cherry tree

well when the bough breaks, what'll you make for me?
a little willow cabin to rest on your knee
what'll I do with a trinket such as this?
think of your woman, who's gone to the west

but I'm starving and freezing in my measly old bed!
then I'll crawl across the salt flats to stroke your sweet head
come across the desert with no shoes on!
I love you truly, or I love no-one

fire
moves
away

fire moves away, son
why would you say
I was the last one?

clear the room! there's a fire, a fire, a fire
get going, and I'm going to be right behind you
and if the love of a woman or two, dear,
couldn't move you to such heights, then all I can do
is do, my darling, right by you


Lyrics submitted by do i run rare?

Only Skin song meanings
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  • +1
    My Interpretation

    To me, Only Skin is a song about the core duality of wishing to venture out into the world while simultaneously wishing to double down on creating a comfortable, welcoming environment. In other words, it's a classic question of "should I stay or should I go?"

    A lot of comments have interpreted this song as the story of a man and a woman, the man having gone to war and the woman taking on the role of the healer, trying to rid the man of his trauma. For a long time, I didn’t pay much mind to this interpretation, simply believing that this song was a less specific, more broad outpouring of thoughts and experiences… but after reading through other comments, I do feel like the war veteran storyline makes a lot of sense and certainly ties into the main themes of the album as a whole.

    The song begins with images of the battlefield, with tanks and planes ("black airplanes flew over the sea," "greasy black engines," etc). This section is narrated in second person, indicating a disconnection from the narrator. War is often portrayed as an adventure through media and propaganda, but it's an adventure in a literal way; the soldier is literally leaving home, doing battle, and then coming back. The second person indicates that it's not the narrator going to war, but rather a loved one; retrospectively, she can only imagine this archetypal image of adventure.

    The narrator prescribes herself to the fate of the caring woman, who heals her lover from the trauma of the adventure he’s partaken in; she takes the healing flower and “appl[lies] it gently / to the love you’ve lent me.”

    But here’s where the central theme of Only Skin, and Ys as a whole, really seems to blossom. In her quest to cultivate this safe environment for her lover, the narrator goes on her own adventure, one which is much more nuanced and emotionally charged. She states, “I took my fishing pole… down to the swimming hole,” and she goes “rowing along, among the reeds, among the rushes.” She “tramped through the poison oak, heartbroke and inchoate.” These are words of agency, the narrator going through her own soul-crushing journey to heal the one she loves.

    During the climactic Bill Callahan verse, we finally seem to hear the woman singing alongside the man. Some people interpret this as a two-sided conversation, with the Callahan+Newsom lines representing the man and the Newsom-only lines representing the woman. Rather, I like to think of this verse as the two lovers singing together rather than conversing with one another, as despite their separate circumstances, they’ve really had to go through similar struggles. By the end of the song, the woman has resolved to “do, my darling, right by you.”

    Whether a happy ending or otherwise, this ending at the very least resolves the conflict of disconnection throughout the song. Constantly throughout the text, the man is left spiraling deeper and deeper in a concrete battle; “always up the mountainside you’re clambering, groping blindly, hungry for anything.” Meanwhile, the woman is left to clean up a doomed situation in a more abstract, emotional battle of her own. By the end of the song, the two lovers’ perspectives meet one another, and they both decide to face the world together.

    Of course, these are just my thoughts, and it’s how I personally like to think of this song whenever I hear it. I think it ties really well into interpretations of songs like Emily and Monkey and Bear - but those are discussions for another day. It allows the song to be specific while also broad, diving into an intimate conflict while also expanding into general themes of connection and adventure.

    [Edit: Formatting]
    strawberrypion March 12, 2024   Link

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