Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
The pawnbroker roared
Also, so, so did the landlord
The scene was so crazy, wasn't it?
Both were so glad
To watch me destroy what I had
Pain sure brings out the best in people, doesn't it?
Why didn't you just leave me if you didn't want to stay?
Why'd you have to treat me so bad?
Did it have to be that way?
Now you stand here expectin' me to remember somethin' you forgot to say
Yes, and you, I see you're still with her, well
That's fine 'cause she's comin' on so strange, can't you tell?
Somebody had better explain
She's got her iron chain
I'd do it, but I, I just can't remember how
You talk to her
She's your lover now.
I already assumed
That we're in the felony room
But I ain't a judge, you don't have to be nice to me
But please tell that
To your friend in the cowboy hat
You know he keeps on sayin' ev'rythin' twice to me
You know I was straight with you
You know I've never tried to change you in any way
You know if you didn't want to be with me
That you could . . . didn't have to stay.
Now you stand here sayin' you forgive and forget. Honey, what can I say?
Yes, you, you just sit around and ask for ashtrays, can't you reach?
I see you kiss her on the cheek ev'rytime she gives a speech
With her picture books of the pyramid
And her postcards of Billy the Kid
(Why must everybody bow?)
You better talk to her 'bout it
You're her lover now.
Oh, ev'rybody that cares
Is goin' up the castle stairs
But I'm not up in your castle, honey
It's true, I just can't recall
San Francisco at all
I can't even remember El Paso, uh, honey
You never had to be faithful
I didn't want you to grieve
Oh, why was it so hard for you
If you didn't want to be with me, just to leave?
Now you stand here while your finger's goin' up my sleeve
An' you, just what do you do anyway? Ain't there nothin' you can say?
She'll be standin' on the bar soon
With a fish head an' a harpoon
An' a fake beard plastered on her brow
You'd better do somethin' quick
She's your lover now.
Also, so, so did the landlord
The scene was so crazy, wasn't it?
Both were so glad
To watch me destroy what I had
Pain sure brings out the best in people, doesn't it?
Why didn't you just leave me if you didn't want to stay?
Why'd you have to treat me so bad?
Did it have to be that way?
Now you stand here expectin' me to remember somethin' you forgot to say
Yes, and you, I see you're still with her, well
That's fine 'cause she's comin' on so strange, can't you tell?
Somebody had better explain
She's got her iron chain
I'd do it, but I, I just can't remember how
You talk to her
She's your lover now.
I already assumed
That we're in the felony room
But I ain't a judge, you don't have to be nice to me
But please tell that
To your friend in the cowboy hat
You know he keeps on sayin' ev'rythin' twice to me
You know I was straight with you
You know I've never tried to change you in any way
You know if you didn't want to be with me
That you could . . . didn't have to stay.
Now you stand here sayin' you forgive and forget. Honey, what can I say?
Yes, you, you just sit around and ask for ashtrays, can't you reach?
I see you kiss her on the cheek ev'rytime she gives a speech
With her picture books of the pyramid
And her postcards of Billy the Kid
(Why must everybody bow?)
You better talk to her 'bout it
You're her lover now.
Oh, ev'rybody that cares
Is goin' up the castle stairs
But I'm not up in your castle, honey
It's true, I just can't recall
San Francisco at all
I can't even remember El Paso, uh, honey
You never had to be faithful
I didn't want you to grieve
Oh, why was it so hard for you
If you didn't want to be with me, just to leave?
Now you stand here while your finger's goin' up my sleeve
An' you, just what do you do anyway? Ain't there nothin' you can say?
She'll be standin' on the bar soon
With a fish head an' a harpoon
An' a fake beard plastered on her brow
You'd better do somethin' quick
She's your lover now.
Lyrics submitted by SexieSadie
She's Your Lover Now [outtake] Lyrics as written by Bob Dylan
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
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I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
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No Surprises
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
This song hasn't been tackled simply because it is so complex, on the surface. The shifts in perspective can be hard to follow, but I don't think the song could have been done any better.
Dylan's talking here to an ex and her new lover in alternate verses. There's a lot of venom chucked at both of them in lines like: 'Yes, and you, you just sit around here and ask for ashtrays, CAN'T YOU REACH?!?'. The problem is that there's not much of a 'hook' to this tune, and you have to pay attention to it in order to enjoy it. After so many years of fans having to seek this out on bootleg, it is finally appreciated as The Masterwork That Wasn't !
That's the reason why I think it was left off the Blonde on Blonde album, and parts of the song were recycled for 'One Of Us Must Know' (Sooner Or Later). There were supposedly 17 takes of 'She's Your Lover Now'; I'm sure a good track could have been spliced together if Dylan wanted this on album at the time.