The song "Fortnight" by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word "fortnight" shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Intro/Chorus:
Never no more, never no more
Never will a sucka score, never no more
Never no more, never no more
Never will a sucka score, never no more
[Tajai]
Message recorded, lessons be stored in
this mental core it's, like lentil porridge
Nas-T, Massey, be the last G
From medical texts to class me
Ask me, if I had to grip my pad
the riffs I grab would rip and stab
the kids that sag the shit they strap
is flavorless, and wreckless
Your bestest behavior gets
I plays the hits, displays the shit
a razor gets parlayed amidst
and later splits a feeling that
I made ya hit, a really phat I gave to kids
when I punched em
I crunch men, at a function
[Phesto]
Ponder on this, I swallowed the spliff with elocution
Encompassing the pompous means when I escalate my tool
shins get split, men get spindled swiveled pivoted
by my riveting centrifuge
I swindling crews, bringing a fist to bruise
Pulverizing skulls annihilating trifling dunces
Pulling rifle pumps to stifle punks when my knife splits
Split your spleen hit you clean in the kisser
When I twist a riddle I'm breakin the brittle
and flimsy with my whimsy
Puns and phrases I stun and phase kids
Terrorize em paralyze em paraplegic, when I leave em
Mindless spineless vertabraetless with menengitis
I earn em swift and minus a life with my nine
Chorus 2X
[A-Plus]
I get the props, you get the buttocks
I know my what nots, stoppin flows like blood claats
Nah, 'cause that's a bad word in Jamaican
And I am that, grams packed 'cause my jam's phat
So get the beaner butter we discovered treasure
You're sweet when I stomp you with my feet just for pleasure
'cause I write the rhymes like a slave'll pick the cotton
The best from the West 'cause I'm fresh and you're rotten
Take out the trash or I'll take it out your ass
With a blast from the past in the future, I'll shoot ya
But for the present beatdowns will suffice
Lose 'cause you choose to be down with some mice
You dumb dunces I come once it's my time to
want to hear a joke? I'm you
Don't you wish I won't dismiss your treachery
I bet you be, leaving upon a stretcher G
[Opio]
I'm coming tighter, your rhymes are Oreida
Little reminiscent of the poetry I write
a-stoundingly, you're sounding like me, might we
Step outside and settle this I cause catastrophes
I laugh at these cause my shit is astonishing
Demolishing, you and your following I'm swallowing
MC's like I was a black hole ramsack those
wack flows who chose to oppose
I don't suppose, dare or where my stubble grows
Reverses the process, god bless you swing and whoa it's you!
Opio, disposes of crews like snotty tissues
I rip through bodies with corkscrews you wish you never tried
Chorus 2X
Never again
Never no more, never no more
Never will a sucka score, never no more
Never no more, never no more
Never will a sucka score, never no more
[Tajai]
Message recorded, lessons be stored in
this mental core it's, like lentil porridge
Nas-T, Massey, be the last G
From medical texts to class me
Ask me, if I had to grip my pad
the riffs I grab would rip and stab
the kids that sag the shit they strap
is flavorless, and wreckless
Your bestest behavior gets
I plays the hits, displays the shit
a razor gets parlayed amidst
and later splits a feeling that
I made ya hit, a really phat I gave to kids
when I punched em
I crunch men, at a function
[Phesto]
Ponder on this, I swallowed the spliff with elocution
Encompassing the pompous means when I escalate my tool
shins get split, men get spindled swiveled pivoted
by my riveting centrifuge
I swindling crews, bringing a fist to bruise
Pulverizing skulls annihilating trifling dunces
Pulling rifle pumps to stifle punks when my knife splits
Split your spleen hit you clean in the kisser
When I twist a riddle I'm breakin the brittle
and flimsy with my whimsy
Puns and phrases I stun and phase kids
Terrorize em paralyze em paraplegic, when I leave em
Mindless spineless vertabraetless with menengitis
I earn em swift and minus a life with my nine
Chorus 2X
[A-Plus]
I get the props, you get the buttocks
I know my what nots, stoppin flows like blood claats
Nah, 'cause that's a bad word in Jamaican
And I am that, grams packed 'cause my jam's phat
So get the beaner butter we discovered treasure
You're sweet when I stomp you with my feet just for pleasure
'cause I write the rhymes like a slave'll pick the cotton
The best from the West 'cause I'm fresh and you're rotten
Take out the trash or I'll take it out your ass
With a blast from the past in the future, I'll shoot ya
But for the present beatdowns will suffice
Lose 'cause you choose to be down with some mice
You dumb dunces I come once it's my time to
want to hear a joke? I'm you
Don't you wish I won't dismiss your treachery
I bet you be, leaving upon a stretcher G
[Opio]
I'm coming tighter, your rhymes are Oreida
Little reminiscent of the poetry I write
a-stoundingly, you're sounding like me, might we
Step outside and settle this I cause catastrophes
I laugh at these cause my shit is astonishing
Demolishing, you and your following I'm swallowing
MC's like I was a black hole ramsack those
wack flows who chose to oppose
I don't suppose, dare or where my stubble grows
Reverses the process, god bless you swing and whoa it's you!
Opio, disposes of crews like snotty tissues
I rip through bodies with corkscrews you wish you never tried
Chorus 2X
Never again
Lyrics submitted by greco_punk
Never No More Lyrics as written by Damani Thompson Adam Carter
Lyrics © A SIDE MUSIC LLC
Lyrics powered by LyricFind
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Fortnight
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This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Bron-Y-Aur Stomp
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This is about bronies. They communicate by stomping.
Mountain Song
Jane's Addiction
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
One of the best hip hop songs i ever heard.