"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
I remember you well in the Chelsea Hotel
you were talking so brave and so sweet
giving me head on the unmade bed
while the limousines wait in the street
Those were the reasons and that was New York
we were running for the money and the flesh
And that was called love for the workers in song
probably still is for those of them left
Ah but you got away, didn't you babe
you just turned your back on the crowd
you got away, I never once heard you say
I need you, I don't need you
I need you, I don't need you
and all of that jiving around
I remember you well in the Chelsea Hotel
you were famous, your heart was a legend
You told me again you preferred handsome men
but for me you would make an exception
And clenching your fist for the ones like us
who are oppressed by the figures of beauty
you fixed yourself, you said, "Well never mind,
we are ugly but we have the music"
And you got away, didn't you babe,
you just turned your back on the crowd
you got away, I never once heard you say,
I need you, I don't need you
I need you, I don't need you
and all of that jiving around
I don't mean to suggest that I loved you the best
I can't keep track of each fallen robin
I remember you well in the Chelsea Hotel
that's all, I don't even think of you that often
you were talking so brave and so sweet
giving me head on the unmade bed
while the limousines wait in the street
Those were the reasons and that was New York
we were running for the money and the flesh
And that was called love for the workers in song
probably still is for those of them left
Ah but you got away, didn't you babe
you just turned your back on the crowd
you got away, I never once heard you say
I need you, I don't need you
I need you, I don't need you
and all of that jiving around
I remember you well in the Chelsea Hotel
you were famous, your heart was a legend
You told me again you preferred handsome men
but for me you would make an exception
And clenching your fist for the ones like us
who are oppressed by the figures of beauty
you fixed yourself, you said, "Well never mind,
we are ugly but we have the music"
And you got away, didn't you babe,
you just turned your back on the crowd
you got away, I never once heard you say,
I need you, I don't need you
I need you, I don't need you
and all of that jiving around
I don't mean to suggest that I loved you the best
I can't keep track of each fallen robin
I remember you well in the Chelsea Hotel
that's all, I don't even think of you that often
Lyrics submitted by Mopnugget
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I'm a bit confused by the "I need you, I don't need you". He says she never said that - does he mean she never played games with him?
I thought maybe she fixed herself was that she expressed an opinon (clenching her fist against the beautiful ones), but then corrects or fixes herself and says not to be angry but to embrace her ugliness, because it helped to make her a better musician!