This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Get the idea cross around the track
Underneath the flank of thoroughbred racing chasers.
Getting the feel as a river flows.
Would you like to go 'n shoot the mountain masses?
And here you stand no taller than the grass sees.
And should you really chase so hard.
The truth of sport plays rings around you.
Going for the one
Going for the one
Get in the way as the tons of water
Racing with you crashing through the rudder.
Once at the start you can gamble
That you really surely really mean to finish.
After seeing all your sense of fear diminish.
As you treat danger a pure collection.
As you throw away misconceptions.
Going for the one.
Going for the one.
Going for a
Listen in time
Taken so high
To touch to move
Listen to life
Touching touch time
Travel twilight
Taken so high.
Roundabout, sounding out, love you so
Love you so
Love you so
Now the verses I've sang
Don't add much weight to the story in my head
So I'm thinking I should go and write a punch line.
But they're so hard to find
In my cosmic mind
So I think I'll take a look out of the window.
When I think about you
I don't feel low.
N'should I really chase so hard.
The truth of sport plays rings around you.
Going for the one.
Going for the one.
Going for to
Listen in time
Taken so high
To touch to move
Listen to life
Touching touch time
Travel twilight
Taken so high
Taking your time
Turn on to love
Turnstile to one
Tender timing
Rocking rolling
Listen in time
Taken so high
To touch to move
Listen to life
Touching touchtime
Travel twilight
Taken so high
Taking your time
Turn on to love
Turnstile to one
Tender timing
Rocking rolling
Turn on to love
Turnstile to one
Tender timing
Rocking rolling
Moments decide.
Moments delight.
Moments in flight.
Talk about sending love.
Underneath the flank of thoroughbred racing chasers.
Getting the feel as a river flows.
Would you like to go 'n shoot the mountain masses?
And here you stand no taller than the grass sees.
And should you really chase so hard.
The truth of sport plays rings around you.
Going for the one
Going for the one
Get in the way as the tons of water
Racing with you crashing through the rudder.
Once at the start you can gamble
That you really surely really mean to finish.
After seeing all your sense of fear diminish.
As you treat danger a pure collection.
As you throw away misconceptions.
Going for the one.
Going for the one.
Going for a
Listen in time
Taken so high
To touch to move
Listen to life
Touching touch time
Travel twilight
Taken so high.
Roundabout, sounding out, love you so
Love you so
Love you so
Now the verses I've sang
Don't add much weight to the story in my head
So I'm thinking I should go and write a punch line.
But they're so hard to find
In my cosmic mind
So I think I'll take a look out of the window.
When I think about you
I don't feel low.
N'should I really chase so hard.
The truth of sport plays rings around you.
Going for the one.
Going for the one.
Going for to
Listen in time
Taken so high
To touch to move
Listen to life
Touching touch time
Travel twilight
Taken so high
Taking your time
Turn on to love
Turnstile to one
Tender timing
Rocking rolling
Listen in time
Taken so high
To touch to move
Listen to life
Touching touchtime
Travel twilight
Taken so high
Taking your time
Turn on to love
Turnstile to one
Tender timing
Rocking rolling
Turn on to love
Turnstile to one
Tender timing
Rocking rolling
Moments decide.
Moments delight.
Moments in flight.
Talk about sending love.
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Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
@Teratology - Jon Anderson tends to express his spiritual views and does not focus on the relatively lower pursuits such as a love relationship. Please review My Interpretation and let me know if you agree. Thanks.