In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn't read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you're so post-modern
You're diving face forward into a antiquated path
It's disgusting, its offensive, don't stick your nose up at me
Yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
Yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we're not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about
Yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
And I say yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
'Cause I'm proud of my life and the things that I have done
Proud of myself and the loner I've become
You're free to whine, it will not get you far
I do just fine, my car and my guitar
Proud of my life and the things that I have done
Proud of myself and the loner I've become
You're free to whine, it will not get you far
I do just fine, my car and my guitar, yeah
Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety
You are a faker (admit it)
You are a fraud (admit it)
Yeah, you're living a lie (hey) living a lie (hey) you're life is living a lie
You don't impress me (admit it)
You don't intimidate me (admit it)
Why don't you bow down, get on the ground, walk this fucking plank (yeah!)
Yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
And I say yeah (what do you..)
Proud of my life and the things that I have done
Proud of myself and the loner I've become
You're free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!
I drift drift drift drift drift yeah
I drift drift drift drift drift yeah oh
And I am done with this
I want to taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these, urgent unfulfilled
Oh no no no no no
When I'm dead I'll rest
When I'm dead I'll rest way still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn't read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you're so post-modern
You're diving face forward into a antiquated path
It's disgusting, its offensive, don't stick your nose up at me
Yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
Yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we're not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about
Yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
And I say yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
'Cause I'm proud of my life and the things that I have done
Proud of myself and the loner I've become
You're free to whine, it will not get you far
I do just fine, my car and my guitar
Proud of my life and the things that I have done
Proud of myself and the loner I've become
You're free to whine, it will not get you far
I do just fine, my car and my guitar, yeah
Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety
You are a faker (admit it)
You are a fraud (admit it)
Yeah, you're living a lie (hey) living a lie (hey) you're life is living a lie
You don't impress me (admit it)
You don't intimidate me (admit it)
Why don't you bow down, get on the ground, walk this fucking plank (yeah!)
Yeah, what do you have to say for yourself
Whoa, whoa, whoa, whoa
And I say yeah (what do you..)
Proud of my life and the things that I have done
Proud of myself and the loner I've become
You're free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!
I drift drift drift drift drift yeah
I drift drift drift drift drift yeah oh
And I am done with this
I want to taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these, urgent unfulfilled
Oh no no no no no
When I'm dead I'll rest
When I'm dead I'll rest way still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
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Standing On The Edge Of Summer
Thursday
Thursday
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
A friend of mine put this onto a mix CD that she made me. This is a very weak "attack" on any sort of trend. It makes me angry to hear this song, not because any of it applies to me (I am a totally normal guy, I do not believe in emulating a particular style), but because the guy just sounds like an elitist ass. How do you attempt to knock people off of their elitist pedastal while still behaving elitist yourself? And the "accusations" he makes sound totally insincere! The part where he mockingly talks about worrying wether or not his album will get him laid, his gimmicky voice hardly makes him sound like he's truly above any of that. Music=sex. I admit this, the best of people admit this, but inherently through the demeanor of this song, this guy himself denies this.
Does this band call themselves Say Anthing so that they don't have to?
You want a good hyperactive, panicy sounding band, try Les Savy Fav. At the very least they don't fill their choruses with "woah".
He's admitting that he worries about his self-image and is poking fun at the people who try to act like they don't care what other people think of them. Also, don't attack the band after hearing only one song off of a mix cd. The rest of the album kicks ass. Perhaps take another listen and then you'll understand.
If you would actually read the lyrics, you would understand that Bemis isn't just attacking the scene, but at the end, he's pointing out the fact that there's a never-ending chain of irony. Isn't it pretentious to call out pretentious people for being pretentious?<br /> <br /> People constantly put Max down for being an Elitist asshole, but they don't truly listen to the message first.