its amazing how far music can come.. 24 years after it released and its one of the most heartfelt songs ive heard
Peace up, A-Town down
Yeah, yeah! Okay, okay!
(Usher, Usher, Usher, Usher)
Lil' Jon
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah (what it do, shawty?)
Let's go!
Up in the club with my homies, trying to get a lil' V-I
Keep it down on the low-key (low-key)
'Cause you know how it feels (hey!)
I saw this shorty, she was checking up on me
From the game she was spitting in my ear
You would think that she know me (know me)
I decided to chill (okay!)
Conversation got heavy (hey)
She had me feeling like she's ready to blow (watch out)
Oh (watch out)
She's saying, "Come get me" (come get me)
So I got up and followed her to the floor
She said, "Baby, let's go"
When I told her (let's go)
I said
(Yeah!) Yeah!
Shorty, got down low and said, "Come and get me"
(Yeah!) Yeah!
I got so caught up, I forgot she told me (what? What?)
(Yeah!) Yeah!
Her and my girl used to be the best of homies
(Yeah!) Yeah!
Next thing I knew, she was all up on me screaming (yeah, come on)
Yeah, yeah, yeah, yeah, yeah, yeah (what? What?)
Yeah, yeah, yeah, yeah, yeah, yeah (what? What?)
So she's all up in my head now
Got me thinking that it might be a good idea to take her with me
'Cause she's ready to leave (ready to leave now)
(Let's go)
And I gotta keep it real now
'Cause on a one to ten, she's a certified twenty
But that just ain't me, hey
'Cause I don't know if I take that chance
Just where's it gonna lead
But what I do know is the way she dance
Makes shorty alright with me (hey, hey, hey)
The way she get low
I'm like, "Yeah, just work that out for me"
She asks for one more dance and I'm like, "Yeah"
How the hell am I supposed to leave? (Let's go, bring the beat back!)
And I say
(Yeah!) Yeah!
Shorty, got down low and said, "Come and get me"
(Yeah!) Yeah!
I got so caught up, I forgot she told me (what? What?)
(Yeah!) Yeah!
Her and my girl used to be the best of homies
(Yeah!) Yeah!
Next thing I knew, she was all up on me screaming
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah (hey, hey, Luda!)
Watch out, my outfit's ridiculous
In the club looking so conspicuous
And, roar, these women all on the prowl
If you hold the head steady, I'ma milk the cow (yeah!)
And forget about game, I'ma spit the truth (what?)
I won't stop 'til I get 'em in they birthday suit (yeah!)
So gimme the rhythm and it'll be off with their clothes
Then bend over to the front and touch your toes
I left the Jag and I took the Rolls
If they ain't cutting, then I put 'em on foot patrol (let's go)
How you like me now?
When my pinky's valued over three hundred thousand
Let's drink, you the one to please (yeah)
Ludacris fill cups like double D's (yeah!)
Me and Ursh' once more, and we leaves 'em dead (hey)
We want a lady in the street but a freak in the bed that say
(Yeah!) Yeah!
Shorty, got down low and said, "Come and get me"
(Yeah!) Yeah!
I got so caught up, I forgot she told me (what? What?)
(Yeah!) Yeah!
Her and my girl used to be the best of homies
(Yeah!) Yeah!
Next thing I knew, she was all up on me screaming
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah
Take that and rewind it back
Lil Jon got the beat that make your booty go
Take that, rewind it back
Usher got the voice to make your booty go
Take that, rewind it back
Ludacris got the flow to make your booty go
Take that, rewind it back
Lil Jon got the beat that make your booty go
Yeah, yeah! Okay, okay!
(Usher, Usher, Usher, Usher)
Lil' Jon
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah (what it do, shawty?)
Let's go!
Up in the club with my homies, trying to get a lil' V-I
Keep it down on the low-key (low-key)
'Cause you know how it feels (hey!)
I saw this shorty, she was checking up on me
From the game she was spitting in my ear
You would think that she know me (know me)
I decided to chill (okay!)
Conversation got heavy (hey)
She had me feeling like she's ready to blow (watch out)
Oh (watch out)
She's saying, "Come get me" (come get me)
So I got up and followed her to the floor
She said, "Baby, let's go"
When I told her (let's go)
I said
(Yeah!) Yeah!
Shorty, got down low and said, "Come and get me"
(Yeah!) Yeah!
I got so caught up, I forgot she told me (what? What?)
(Yeah!) Yeah!
Her and my girl used to be the best of homies
(Yeah!) Yeah!
Next thing I knew, she was all up on me screaming (yeah, come on)
Yeah, yeah, yeah, yeah, yeah, yeah (what? What?)
Yeah, yeah, yeah, yeah, yeah, yeah (what? What?)
So she's all up in my head now
Got me thinking that it might be a good idea to take her with me
'Cause she's ready to leave (ready to leave now)
(Let's go)
And I gotta keep it real now
'Cause on a one to ten, she's a certified twenty
But that just ain't me, hey
'Cause I don't know if I take that chance
Just where's it gonna lead
But what I do know is the way she dance
Makes shorty alright with me (hey, hey, hey)
The way she get low
I'm like, "Yeah, just work that out for me"
She asks for one more dance and I'm like, "Yeah"
How the hell am I supposed to leave? (Let's go, bring the beat back!)
And I say
(Yeah!) Yeah!
Shorty, got down low and said, "Come and get me"
(Yeah!) Yeah!
I got so caught up, I forgot she told me (what? What?)
(Yeah!) Yeah!
Her and my girl used to be the best of homies
(Yeah!) Yeah!
Next thing I knew, she was all up on me screaming
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah (hey, hey, Luda!)
Watch out, my outfit's ridiculous
In the club looking so conspicuous
And, roar, these women all on the prowl
If you hold the head steady, I'ma milk the cow (yeah!)
And forget about game, I'ma spit the truth (what?)
I won't stop 'til I get 'em in they birthday suit (yeah!)
So gimme the rhythm and it'll be off with their clothes
Then bend over to the front and touch your toes
I left the Jag and I took the Rolls
If they ain't cutting, then I put 'em on foot patrol (let's go)
How you like me now?
When my pinky's valued over three hundred thousand
Let's drink, you the one to please (yeah)
Ludacris fill cups like double D's (yeah!)
Me and Ursh' once more, and we leaves 'em dead (hey)
We want a lady in the street but a freak in the bed that say
(Yeah!) Yeah!
Shorty, got down low and said, "Come and get me"
(Yeah!) Yeah!
I got so caught up, I forgot she told me (what? What?)
(Yeah!) Yeah!
Her and my girl used to be the best of homies
(Yeah!) Yeah!
Next thing I knew, she was all up on me screaming
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah
Take that and rewind it back
Lil Jon got the beat that make your booty go
Take that, rewind it back
Usher got the voice to make your booty go
Take that, rewind it back
Ludacris got the flow to make your booty go
Take that, rewind it back
Lil Jon got the beat that make your booty go
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Glassjaw
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Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
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Taylor Swift
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The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
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Led Zeppelin
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Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
THIS SONG SUX CALL ME A BITCH BUT I HATE USHER AND ALL SO I NEED TO GIVE MY CRITISISM!! HOLY SHIT THE ONLY WORD IN THIS SONG SEEMS TO BE "YEAH", SCREW WHAT THE LYRICS SAY. I THINK HTE ONLY REASON PPL LISTEN TO THIS CRAP IS ITS SUPPOSEDLY FUN TO DANCE TO AND ALL, THO I NEVER WOULD DANCE TO SHIT LIKE THIS! AT LEAST IM NOT THE ONLY ONE WHO SOMES TO THESE PAGES TO TALK ABOUT HOW SHITTY THESE SONGS ARE... THANX FOR AGREEIN HOW MUCH THIS SONG SUX!!