The song "Fortnight" by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word "fortnight" shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady in the City of Light
Or just another lost angel...City of Night
City of Night, City of Night, City of Night, woo, see'mon
L.A. Woman, L.A. Woman
L.A. Woman Sunday afternoon
L.A. Woman Sunday afternoon
L.A. Woman Sunday afternoon
Drive through your suburbs
Into your blues, into your blues, yeah
Into your blue-blue Blues
Into your blues, ohh, yeah
I see your hair is burnin'
Hills are filled with fire
If they say I never loved you
You know they are a liar
Drivin' down your freeways
Midnite alleys roam
Cops in cars, the topless bars
Never saw a woman...
So alone, so alone
So alone, so alone
Motel Money Murder Madness
Let's change the mood from glad to sadness
Mr. Mojo Risin', Mr. Mojo Risin'
Mr. Mojo Risin', Mr. Mojo Risin'
Got to keep on risin'
Mr. Mojo Risin', Mr. Mojo Risin'
Mojo Risin', gotta Mojo Risin'
Mr. Mojo Risin', gotta keep on risin'
Risin', risin'
Gone risin', risin'
I'm gone risin', risin'
I gotta risin', risin'
Well, risin', risin'
I gotta, wooo, yeah, risin'
Woah, ohh yeah
Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady in the City of Light
Or just another lost angel...City of Night
City of Night, City of Night, City of Night, woah, see'mon
L.A. Woman, L.A. Woman
L.A. Woman, your my woman
Little L.A. Woman, Little L.A. Woman
L.A. L.A. Woman Woman
L.A. Woman see'mon
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady in the City of Light
Or just another lost angel...City of Night
City of Night, City of Night, City of Night, woo, see'mon
L.A. Woman, L.A. Woman
L.A. Woman Sunday afternoon
L.A. Woman Sunday afternoon
L.A. Woman Sunday afternoon
Drive through your suburbs
Into your blues, into your blues, yeah
Into your blue-blue Blues
Into your blues, ohh, yeah
I see your hair is burnin'
Hills are filled with fire
If they say I never loved you
You know they are a liar
Drivin' down your freeways
Midnite alleys roam
Cops in cars, the topless bars
Never saw a woman...
So alone, so alone
So alone, so alone
Motel Money Murder Madness
Let's change the mood from glad to sadness
Mr. Mojo Risin', Mr. Mojo Risin'
Mr. Mojo Risin', Mr. Mojo Risin'
Got to keep on risin'
Mr. Mojo Risin', Mr. Mojo Risin'
Mojo Risin', gotta Mojo Risin'
Mr. Mojo Risin', gotta keep on risin'
Risin', risin'
Gone risin', risin'
I'm gone risin', risin'
I gotta risin', risin'
Well, risin', risin'
I gotta, wooo, yeah, risin'
Woah, ohh yeah
Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady in the City of Light
Or just another lost angel...City of Night
City of Night, City of Night, City of Night, woah, see'mon
L.A. Woman, L.A. Woman
L.A. Woman, your my woman
Little L.A. Woman, Little L.A. Woman
L.A. L.A. Woman Woman
L.A. Woman see'mon
Lyrics submitted by yuri_sucupira
LA Woman Lyrics as written by John Paul Densmore Jim Morrison
Lyrics © Wixen Music Publishing, Doors Music Company
Lyrics powered by LyricFind
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More Featured Meanings
Fortnight
Taylor Swift
Taylor Swift
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
I think that the exact wording of the lyrics, as shown here, are open to question e.g., where they have:
"Where the little girls in their Hollywood bungalows"
I'd always heard it as:
"Met a little girl in a Hollywood bungalow"
I'd live in LA for a while, visited relatives who lived there since I was a little kid. This song is as hugely evocative for anyone who has ever lived in LA and liked it (lots don't), and was stimulated by it, as Randy Newman's ditty "I Love LA". This is not a cynical put-down, either. If you're young and in LA in the 80s, you felt just about the way Newman described...
...and if you'd been there the same year as the Manson murders, for example, you'd still be attracted, and realize that this crime was a quintessential Los Angeles crime. Random, involving glamour, and near-inexplicable motives.
So when you hear a line line:
"I see your hair is burnin' Hills are filled with fire"
and many autumns, when the Santa Anas come and it hasn't rained for 90 days or more, and the vegetation along Mulholland and down the south slope is just like the kindling they so cheerfully sell outside of a Ralph's supermarket, and you drive north on 405 on a weekend evening, to the Santa Monica freeway cut-off, you see the the glow of the fires along the Sepulveda Pass, well, this song really takes you there, again.
Similarly, the lines:
"Cops in cars, the topless bars..."
is a very vivid reminder of my 21st birthday, along Sunset and parts of Santa Monica Blvd, in 1968.
Just another day in paradise, huh...? :^)