Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.
If you see her, say hello
She might be in Tangier
She left here last early spring
Is livin' there, I hear
Say for me that I'm all right
Though things get kind of slow
She might think that I've forgotten her
Don't tell her it isn't so
We had a falling-out
Like lovers often will
And to think of how she left that night
It still brings me a chill
And though our separation
It pierced me to the heart
She still lives inside of me
We've never been apart
If you get close to her
Kiss her once for me
I always have respected her
For doin' what she did and gettin' free
Oh, whatever makes her happy
I won't stand in the way
Though the bitter taste still lingers on
From the night I tried to make her stay
I see a lot of people
As I make the rounds
And I hear her name here and there
As I go from town to town
And I've never gotten used to it
I've just learned to turn it off
Either I'm too sensitive
Or else I'm gettin' soft
Sundown, yellow moon
I replay the past
I know every scene by heart
They all went by so fast
If she's passin' back this way
I'm not that hard to find
Tell her she can look me up
If she's got the time
She might be in Tangier
She left here last early spring
Is livin' there, I hear
Say for me that I'm all right
Though things get kind of slow
She might think that I've forgotten her
Don't tell her it isn't so
We had a falling-out
Like lovers often will
And to think of how she left that night
It still brings me a chill
And though our separation
It pierced me to the heart
She still lives inside of me
We've never been apart
If you get close to her
Kiss her once for me
I always have respected her
For doin' what she did and gettin' free
Oh, whatever makes her happy
I won't stand in the way
Though the bitter taste still lingers on
From the night I tried to make her stay
I see a lot of people
As I make the rounds
And I hear her name here and there
As I go from town to town
And I've never gotten used to it
I've just learned to turn it off
Either I'm too sensitive
Or else I'm gettin' soft
Sundown, yellow moon
I replay the past
I know every scene by heart
They all went by so fast
If she's passin' back this way
I'm not that hard to find
Tell her she can look me up
If she's got the time
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Ministry
Ministry
Fortnight
Taylor Swift
Taylor Swift
The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
This is about bronies. They communicate by stomping.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
The song is both a love song and a parody of a love song:
On one level, it's straight forward. Dylan loves some girl. He misses her. He wants her back. Blah Blah. That's the boring bit.
But on another level, there's an awareness that what he's actually saying is ridiculous. As the song progresses, we learn:
-He's asking someone to 'say hello' to some girl, even though he has absolutely no idea where she is (he 'might' be able to specify the city)
-He assumes that whoever he's talking to will not only find her, but probably kiss her and 'get close to her'. Seems unlikely, but often when people are in love/obsessed they assume that everyone else shares their object of affection/obsession.
-'I hear her name' - It's not clear whether people are saying her name because they know her and are talking about her - or whether they are saying her name, referring to somebody else. He's getting upset because they're talking about e.g. a different Sara.
What's more, the singer is constantly undermining and contradicting himself:
-'I'm alright' vs 'things get kinda slow'
-'I won't stand in the way' vs 'I tried to make her stay' (He 'won't' stand in the way because he can't)
-'Our separation... pierced me to the heart' vs 'we've never been apart'
-'Don't tell her [I haven't forgotten her]' vs 'Tell her she can look me up' (What's he supposed to say? 'Bob's forgotten you completely, but you should really look him up sometime...'?)
Not that the song isn't heart-felt... That's why it's good. Dylan manages at once to come across as both in love/obsessed with some girl - and also to recognise through the words (although the 'singer' doesn't recognise it) just how ridiculous he is being.
@gravitydwarf He maybe telling this to a woman friend who knows his ex love..it is a theme, there is one woman he has always loved...and he goes back to his time with her over and over again in his songs.
@gravitydwarf It is quite common for people to know and see the same people, he is hoping someone will pass his message on when they see her. He is dead serious in this song.