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Worry the bottle Mamma, it's grapefruit wine
Kick off your high heel sneakers, it's party time
The girls don't seem to care what's on
As long as they play 'til dawn
Nothin' but blues and Elvis
And somebody else's favorite song
Give her some funked up muzak, she treats you nice
Feed her some hungry reggae, she'll love you twice
The girls don't seem to care tonight
As long as the mood is right
No static at all (no static, no static at all)
FM (no static at all)
Give her some funked up muzak, she treats you nice
Feed her some hungry reggae, she'll love you twice
The girls don't seem to care tonight
As long as the mood is right
No static at all (no static, no static at all)
FM (no static at all)
Kick off your high heel sneakers, it's party time
The girls don't seem to care what's on
As long as they play 'til dawn
Nothin' but blues and Elvis
And somebody else's favorite song
Give her some funked up muzak, she treats you nice
Feed her some hungry reggae, she'll love you twice
The girls don't seem to care tonight
As long as the mood is right
No static at all (no static, no static at all)
FM (no static at all)
Give her some funked up muzak, she treats you nice
Feed her some hungry reggae, she'll love you twice
The girls don't seem to care tonight
As long as the mood is right
No static at all (no static, no static at all)
FM (no static at all)
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At last somebody gets the meaning of the "no static at all" line. You should see some of the highfalutin, convoluted interpretations I've read! Total BS about it symbolizing corporate takeover of the FM radio format. (That's what the film is about.) Here, it means you'll get no problems from the girl - no static - if you make a move on her, as long as you set the mood with the music on the radio. It's also, of course, a double entendre on what made the FM band attractive to listeners - AM radio always has a lot of static, but FM has virtually "no static at all".