Classic love story true to his western tx roots. One of my favorites as a story, but I think there are alot of songs that are amazing not even listed on this site. I guess I should figure out how to add them, because I have about 8 REK cd's.
Slip inside the eye of your mind
Don't you know you might find
A better place to play
You said that you'd never been
But all the things that you've seen
Will slowly fade away
So I start a revolution from my bed
'Cause you said the brains I had went to my head
Step outside, summertime's in bloom
Stand up beside the fireplace
Take that look from off your face
You ain't ever gonna burn my heart out
And so Sally can wait
She knows it's too late
As we're walking on by
Her soul slides away
But don't look back in anger
I heard you say
Take me to the place where you go
Where nobody knows
If it's night or day
But please don't put your life in the hands
Of a rock and roll band
Who'll throw it all away
I'm gonna start a revolution from my bed
'Cause you said the brains I had went to my head
Step outside 'cause summertime's in bloom
Stand up beside the fireplace
Take that look from off your face
'Cause you ain't ever gonna burn my heart out
And so Sally can wait
She knows it's too late
As she's walking on by
My soul slides away
But don't look back in anger
I heard you say
So Sally can wait
She knows it's too late
As we're walking on by
Her soul slides away
But don't look back in anger
I heard you say
So Sally can wait
She knows it's too late
As she's walking on by
My soul slides away
But don't look back in anger
Don't look back in anger
I heard you say
At least not today
Don't you know you might find
A better place to play
You said that you'd never been
But all the things that you've seen
Will slowly fade away
So I start a revolution from my bed
'Cause you said the brains I had went to my head
Step outside, summertime's in bloom
Stand up beside the fireplace
Take that look from off your face
You ain't ever gonna burn my heart out
And so Sally can wait
She knows it's too late
As we're walking on by
Her soul slides away
But don't look back in anger
I heard you say
Take me to the place where you go
Where nobody knows
If it's night or day
But please don't put your life in the hands
Of a rock and roll band
Who'll throw it all away
I'm gonna start a revolution from my bed
'Cause you said the brains I had went to my head
Step outside 'cause summertime's in bloom
Stand up beside the fireplace
Take that look from off your face
'Cause you ain't ever gonna burn my heart out
And so Sally can wait
She knows it's too late
As she's walking on by
My soul slides away
But don't look back in anger
I heard you say
So Sally can wait
She knows it's too late
As we're walking on by
Her soul slides away
But don't look back in anger
I heard you say
So Sally can wait
She knows it's too late
As she's walking on by
My soul slides away
But don't look back in anger
Don't look back in anger
I heard you say
At least not today
Lyrics submitted by dsfire, edited by lhotseq, lancefiasco, musicloverforlife
Don't Look Back In Anger Lyrics as written by Noel Gallagher
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
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This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
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I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Can anyone actually say what this song means?
The narrator is really inconsistent: who is talking to whom? Who is Sally to the narrator, who is being asked to avoid rock 'n roll bands?
It's such a jumble that you have to go with your gut on this one. The "her soul slides away" part sound as if someone is dying, but it's unclear who is saying "but don't look back in anger, I heard you say". Is that Sally saying it, or someone who knows Sally and who is with her as she dies?
All that any of us can do is interpret the song based on how the most emotional parts of the song hit us. We're forced to contextualize everything based on those parts even though there doesn't appear to be much connection between the verses or the chorus.
But does this lack of clarity hurt the song? Arguably it helps it immensely. The Gallaghers were not great lyricists at that point (or at this point, too), but they were strong feelers and brilliant at connecting with their audience. Since they didn't have great ideas, it's actually better that the images and thoughts were kind of thrown together on this one. I'm sure that it would've sounded pretty dull had they tried to make everything crystal clear and neat.