The best track Mark Knopfler ever created - bar none. This is a magical story about meeting a girl, liking her, and not wanting to spoil things by getting too deep. The song begins with Knopfler telling us that he likes the dangerous side of life, using fairground metaphors "Getting crazy on the walzers, but it's the life that I choose". Amongst the riff-raff he finds a like-minded female "In a screaming ring of faces I seen her standing in the light. She had a ticket for the races, yeah, just like me she was a victim of the night" and the girl decides they should enjoy the moment but remain anonymous in order to retain feeling of mystery and danger "It's just the danger when you're riding at your own risk. She said you are the perfect stranger, she said baby let's keep it like this". Then, in a bid to retain the feeling that the nameless relationship is perfect in its current state, she walks away and Mark knows its best not to go after it, but to remember this good time for what it was "And in the roar of dust and diesel I stood and watched her walk away. I could have caught up with her easy enough but something must have made me stay". However, he has a late change of heart, and sets off to find her "now i'm searching through these carousels and the carnival arcades". Many speculate that the song is merely about having a good time at a fun park, but I think there is a deeper meaning here. For example, "the big wheel keep on turning" in my mind is a clear reference to the fact the world keeps turning regardless of how he plays this out, and he claims that he is "high on this world" thanks to the excitement of the day, then he requests that the girl "take a low ride with me...on the Tunnel of Love". This seems to suggest to me that he knows falling in love would remove the "high" and the danger, but he still wants to get to that stage anyway. Musically, this has a curious opening (namely 'The Carousel Waltz') but, once it kicks into life, you know it's Dire Straits. Knopfler's playing on this track is more influenced by the blues than you may think. He sings a line, plays a bit, sings a line, plays a bit - a blues trait if ever there was one. Speaking of the guitar work, on this track the man really excelled himself. His solos are often similar to David Gilmour's in that he doesn't just play the whole way through the instrumental sections, he leaves plenty of gaps - an often underrated idea - and every time he stops for breath it just leaves the listener begging for more. Great playing, great lyrics - one of the best songs of the 80's without any shadow of a doubt.
Bazalinhioon March 12, 2010 Link
-
1 Reply Log in to reply