"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Look up and what do you see? All of you and all of me
Fluorescent and starry, some of them, they surprise
The bus ride, I went to write this, 4:00 a.m, this letter
Fields of poppies, little pearls, all the boys and all the girls
Sweet-toothed, each and every one a little scary
I said your name, I wore it like a badge of teenage film stars
Hash bars, cherry mash and tinfoil tiaras
Dreaming of Maria Callas, whoever she is
This fame thing, I don't get it
I wrap my hand in plastic to try to look through it
Maybelline eyes and girl-as-boy moves
I can take you far, this star thing, I don't get it
(I'll take you over there)
(I'll take you over there)
Aluminum tastes like fear
Adrenaline, it pulls us near
(I'll take you over there)
It tastes like fear
(I'll take you over)
Will you live to eighty-three? Will you ever welcome me?
Will you show me something that nobody else has seen?
Smoke it, drink, here comes the flood, anything to thin the blood
These corrosives do their magic slowly and sweet
Phone, eat it, drink, just another chink
Cuts and dents, they catch the light
Aluminum, the weakest link
I don't want to disappoint you, I'm not here to anoint you
I would lick your feet, but is that the sickest move?
I wear my own crown of sadness and sorrow
And who'd have thought tomorrow would be so strange?
My loss, and here we go again
(I'll take you over there)
(I'll take you over there)
Aluminum tastes like fear
Adrenaline, it pulls us near
(I'll take you over there)
It tastes like fear, pulls us near
(I'll take you over)
Look up and what do you see?
All of you and all of me, florescent and starry
And some of them, they surprise
I can't look it in the eyes, Seconal, Spanish fly, absinthe, kerosene
Cherry-flavored neck and collar
I can smell the sorrow on your breath
The sweat, the victory and sorrow, the smell of fear
I got it
(I'll take you over there)
Aluminum tastes like fear
Adrenaline, it pulls us near
(I'll take you over, take you there)
Aluminum, tastes like fear
Adrenaline, it pulls us near
(I'll take you over, take you there)
It tastes like fear, pulls us near
(I'll take you over, take you there)
It tastes like fear, pulls us near
Pulls us near
It tastes like fear
Tastes like fear
Pulls us near
Pulls us near
Near, near
Over, over, over, over
Over, over, over, yeah
I'll take you over
I'll take you over, I'll take you there
Oh, over
I'll take you there
Over, baby
I'll take you over
There, there
I'll take you there
There, baby
Fluorescent and starry, some of them, they surprise
The bus ride, I went to write this, 4:00 a.m, this letter
Fields of poppies, little pearls, all the boys and all the girls
Sweet-toothed, each and every one a little scary
I said your name, I wore it like a badge of teenage film stars
Hash bars, cherry mash and tinfoil tiaras
Dreaming of Maria Callas, whoever she is
This fame thing, I don't get it
I wrap my hand in plastic to try to look through it
Maybelline eyes and girl-as-boy moves
I can take you far, this star thing, I don't get it
(I'll take you over there)
(I'll take you over there)
Aluminum tastes like fear
Adrenaline, it pulls us near
(I'll take you over there)
It tastes like fear
(I'll take you over)
Will you live to eighty-three? Will you ever welcome me?
Will you show me something that nobody else has seen?
Smoke it, drink, here comes the flood, anything to thin the blood
These corrosives do their magic slowly and sweet
Phone, eat it, drink, just another chink
Cuts and dents, they catch the light
Aluminum, the weakest link
I don't want to disappoint you, I'm not here to anoint you
I would lick your feet, but is that the sickest move?
I wear my own crown of sadness and sorrow
And who'd have thought tomorrow would be so strange?
My loss, and here we go again
(I'll take you over there)
(I'll take you over there)
Aluminum tastes like fear
Adrenaline, it pulls us near
(I'll take you over there)
It tastes like fear, pulls us near
(I'll take you over)
Look up and what do you see?
All of you and all of me, florescent and starry
And some of them, they surprise
I can't look it in the eyes, Seconal, Spanish fly, absinthe, kerosene
Cherry-flavored neck and collar
I can smell the sorrow on your breath
The sweat, the victory and sorrow, the smell of fear
I got it
(I'll take you over there)
Aluminum tastes like fear
Adrenaline, it pulls us near
(I'll take you over, take you there)
Aluminum, tastes like fear
Adrenaline, it pulls us near
(I'll take you over, take you there)
It tastes like fear, pulls us near
(I'll take you over, take you there)
It tastes like fear, pulls us near
Pulls us near
It tastes like fear
Tastes like fear
Pulls us near
Pulls us near
Near, near
Over, over, over, over
Over, over, over, yeah
I'll take you over
I'll take you over, I'll take you there
Oh, over
I'll take you there
Over, baby
I'll take you over
There, there
I'll take you there
There, baby
Lyrics submitted by xpankfrisst
E-Bow The Letter Lyrics as written by Peter Buck Bill Berry
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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Fast Car
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Lord Huron
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This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
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Hayalperest
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This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
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Wu-Tang Clan
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Page
Ed Sheeran
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There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
Patti Smith + R.E.M.= brilliant.
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