This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Ramona, come closer
Shut softly your watery eyes
The pangs of your sadness
Will pass as your senses will rise
For the flowers of the city
Though breathlike, get deathlike sometimes
And there's no use in tryin'
To deal with the dyin'
Though I cannot explain that in lines
Your cracked country lips
I still wish to kiss
As to be under the strength of your skin
Your magnetic movements
Still capture the minutes I'm in
But it grieves my heart, love
To see you tryin' to be a part of
A world that just don't exist
It's all just a dream, babe
A vacuum, a scheme, babe
That sucks you into feelin' like this
I can see that your head
Has been twisted and fed
With worthless foam from the mouth
I can tell you are torn
Between stayin' and returnin'
Back to the South
You've been fooled into thinking
That the finishin' end is at hand
Yet there's no one to beat you
No one t' defeat you
'Cept the thoughts of yourself feeling bad
I've heard you say many times
That you're better than no one
And no one is better than you
If you really believe that
You know you have
Nothing to win and nothing to lose
From fixtures and forces and friends
Your sorrow does stem
That hype you and type you
Making you feel
That you gotta be exactly like them
I'd forever talk to you
But soon my words
Would turn into a meaningless ring
For deep in my heart
I know there is no help I can bring
Everything passes
Everything changes
Just do what you think you should do
And someday maybe
Who knows, baby
I'll come and be cryin' to you
Shut softly your watery eyes
The pangs of your sadness
Will pass as your senses will rise
For the flowers of the city
Though breathlike, get deathlike sometimes
And there's no use in tryin'
To deal with the dyin'
Though I cannot explain that in lines
Your cracked country lips
I still wish to kiss
As to be under the strength of your skin
Your magnetic movements
Still capture the minutes I'm in
But it grieves my heart, love
To see you tryin' to be a part of
A world that just don't exist
It's all just a dream, babe
A vacuum, a scheme, babe
That sucks you into feelin' like this
I can see that your head
Has been twisted and fed
With worthless foam from the mouth
I can tell you are torn
Between stayin' and returnin'
Back to the South
You've been fooled into thinking
That the finishin' end is at hand
Yet there's no one to beat you
No one t' defeat you
'Cept the thoughts of yourself feeling bad
I've heard you say many times
That you're better than no one
And no one is better than you
If you really believe that
You know you have
Nothing to win and nothing to lose
From fixtures and forces and friends
Your sorrow does stem
That hype you and type you
Making you feel
That you gotta be exactly like them
I'd forever talk to you
But soon my words
Would turn into a meaningless ring
For deep in my heart
I know there is no help I can bring
Everything passes
Everything changes
Just do what you think you should do
And someday maybe
Who knows, baby
I'll come and be cryin' to you
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Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
It's all just a dream, babe, A vacuum, a scheme, babe, That sucks you into feelin' like this.
why has no one commented on this one... you crazy people. this song is one of the greatest dylan songs. it explains so many things and describes pretty much every person i know... well, no, not true. but this song really is great and should be listened to by all.