Roger:
What'd you forget?

(Mimi enters, holding a candle and looking for a match; her electricity is out, too)

Mimi:
Got a light?

Roger:
I know you? -- You're --
You're shivering

Mimi:
It's nothing
They turned off my heat
And I'm just a little
Weak on my feet
Would you light my candle?
What are you staring at?

Roger:
Nothing
Your hair in the moonlight
You look familiar
(He lights her candle. Mimi starts to leave, but stumbles)
Can you make it?

Mimi:
Just haven't eaten much today
At least the room stopped spinning.
Anyway. What?

Roger:
Nothing
Your smile reminded me of --

Mimi:
I always remind people of -- who is she?

Roger:
She died. Her name was April

(Mimi discreetly blows out the candle)

Mimi:
It's out again
Sorry about your friend
Would you light my candle?

(Roger lights the candle. They linger, awkwardly)

Roger:
Well --

Mimi:
Yeah. Ow!

Roger:
Oh, the wax -- it's --

Mimi:
Dripping! I like it -- between my --

Roger:
Fingers. I figured...

Oh, well. Goodnight.

(Rogers gestures towards the door. Mimi exits. Roger heads back toward his guitar on the table. There is another knock, which he answers)

It blew out again?

Mimi:
No -- I think that I dropped my stash

Roger:
I know I've seen you out and about
When I used to go out
Your candle's out

Mimi:
I'm illin' --
I had it when I walked in the door
It was pure --
Is it on the floor?

Roger:
The floor?

(Mimi gets down on all fours and starts searching the floor for her stash. She looks back at Roger, who is staring at her again)

Mimi:
They say I have the best ass below 14th street
Is it true?

Roger:
What?

Mimi:
You're staring again.

Roger:
Oh no.
I mean you do -- have a nice --
I mean -- You look familiar

Mimi:
Like your dead girlfriend?

Roger:
Only when you smile.
But I'm sure I've seen you somewhere else --

Mimi:
Do you go to the Cat Scratch Club?
That's where I work - I dance - help me look

Roger:
Yes!
They used to tie you up --

Mimi:
It's a living

(Mimi douses the flame again)

Roger:
I didn't recognize you
Without the handcuffs

Mimi:
We could light the candle
Oh won't you light the candle?

(Roger lights it again)

Roger:
Why don't you forget that stuff
You look like you're sixteen

Mimi:
I'm nineteen -- but I'm old for my age
I'm just born to be bad

Roger:
I once was born to be bad
I used to shiver like that

Mimi:
I have no heat -- I told you

Roger:
I used to sweat

Mimi:
I got a cold

Roger:
Uh huh
I used to be a junkie

Mimi:
But now and then I like to --

Roger:
Uh huh

Mimi:
Feel good

Roger:
Here it is -- um --

(Roger stoops and picks up a small object: Mimi's stash)

Mimi:
What's that?

Roger:
It's a candy bar wrapper

(Roger puts it behind his back and into his pocket)

Mimi:
We could light the candle

(Roger gently blows out the candle)

Mimi:
What'd you do with my candle?

Roger:
That was my last match

Mimi:
Our eyes'll adjust, thank God for the moon

Roger:
Maybe it's not the moon at all
I hear Spike Lee's shooting down the street

Mimi:
Bah humbug ... Bah humbug

(Mimi places her hand under his, pretending to do it by accident)

Roger:
Cold hands

Mimi:
Yours too.
Big. Like my father's
You wanna dance?

Roger:
With you?

Mimi:
No -- with my father

Roger:
I'm Roger

Mimi:
They call me
They call me Mimi


Lyrics submitted by Eggos=yum

Light My Candle song meanings
Add Your Thoughts

22 Comments

sort form View by:
  • 0
    General Comment

    She's asking Roger to light the candle so that she can do her drugs. And her stash are the drugs she's going to take. That's why she's shivering - because she hasn't had her drugs.

    BrainStewed74on December 28, 2005   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
Bron-Y-Aur Stomp
Led Zeppelin
This is about bronies. They communicate by stomping.
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.