One, two, three, four, one

Yeah, yeah, yeah, make some motherfuckin' noise
Yo
Doggy Dogg, you're on
Live on stage (yeah, yeah, yeah, yeah, yeah, yeah)
Performin' tonight (yeah, yeah, yeah, yeah, yeah)
You know (yeah, yeah, yeah, yeah, yeah, yeah)
The one and only (uh-huh) (yeah, yeah, yeah, yeah, yeah)
Don Corleone (hmm) (yeah, yeah, yeah, yeah, yeah, yeah)
The big homie, you know me (hmm) (yeah, yeah, yeah, yeah, yeah)

Well, if it's on (mm-hmm), I guess it's 'bout time
Let me slide into this OG rhyme
I do mine the way I do mine
And I takes my time when I'm droppin' my lines
I look around, I spot MCs (and they)
All in the place (and they) all wannabes
Trying to make their paper, trying to do their thang
But to me they all try to say the same thang
How could you rap over beats that wack? (Nigga)
You ain't reachin' the crowd, you ain't makin' your fact
You ain't droppin' lines that hit the top
You can't make the party go "hip-hop"
And you can't do your thing without usin' mine
But yet and still, I see you on the grind
But I'm gon' take my time to get my point across
And if you get caught up in the rap shit then you got lost
And if you get tossed, it's on your own, it's your own fault
See, I gots to get mine, I don't drop no song
I just move on, groove on, try to prove on
And I do mines to do mines and I'ma keep on, keep on, keep on
To get you in a smooth type of atmosphere
Sit back and pay attention, yeah
You ain't never heard it like that (like that), uh
Is that right? That's right black, but, uh

Six minutes (six minutes), six minutes (six minutes)
Six minutes, Doggy Dogg, you're on
(Gimme the) uh-uh on (woo, woo)
(Gimme the) uh-uh on (woo, woo)
Yeah (woo, woo)
Uh, excuse me Doggy Dogg you're on (bye-bye)

(Woo, woo) six minutes (six minutes), six minutes (six minutes)
(Woo, woo) six minutes, Doggy Dogg, you're on
(Gimme the) uh-uh, on (woo, woo)
(Gimme the) uh-uh, on (woo, woo)
Uh, excuse me, Doggy Dogg, you're on

I gets my hair whipped on Friday, my day
Why they even trippin' on me? Yeah, the big homie
Gamey Gamey says, "Snoop Corleone (mm-hmm)
Listen to me man, stay away from them phonies
It's niggas like that that get you caught up quick
You gots to stay focused, Dogg, keep your eye on your grip (grip)
'Cause if you slip they gon' get ya and they gon' get ya fast
These niggas out for your money, man, they tryna get your cash"
I don't give a damn, you gots to match
You can be from the East Coast and get love
'Cause I ain't trippin' on your ass
I don't smash on niggas who smaller than me (mm-hmm)
I smash on niggas who big like the DPGC
Ooh-wee, I get ya crazy
You gots to have a stomach for this shit, baby
And if ya don't, you won't, you fake the funk
See Snoop is the G in the G-Funk
Now don't do nothin' that you can't get out of (fo' sho')
You know I got big love for the real Gs
We make more Gs, uh, I gots to have it

(Woo, woo) six minutes (six minutes), six minutes (six minutes)
(Woo, woo) six minutes, Doggy Dogg, you're on
(Gimme the) uh-uh, on (woo, woo)
(Gimme the) uh-uh, on (woo, woo)
Uh, excuse me, Doggy Dogg, you're on

(Woo, woo) six minutes (six minutes), six minutes (six minutes)
(Woo, woo) six minutes, Doggy Dogg, you're on
(Gimme the) uh-uh, on (woo, woo)
(Gimme the) uh-uh, on (woo, woo)
Uh, excuse me, Doggy Dogg, you're on

I got the, I got the (paper), I got the paper
I keep the, I keep the (chronic), I keep the chronic (yeah, yeah)
I thought ya, I thought ya knew, nigga (what? What?)
Ya better, ya better ask somebody (better ask somebody)

Uh, it don't quit (yeah, don't quit)
Now let me take my time and just get into the shit
And just driftin', so swift and smooth (smooth)
How many niggas make the whole party move like I do?
I can't name nobody
So sit back, relax, and let the Dogg rock the party (hey, hey)
Ain't no party like a DP party
'Cause everybody in the DP party's naughty
They acts a fool, old school, new school
Everything is everything, everybody playin' cool (mm-hmm)
Ain't no set-trippin', everybody just dippin'
Bitches gettin' with niggas and niggas gettin' with bitches
It's so superb, word to my mama
Ain't no drama, no need for that
You can put your gat back in your pocket
Unlock it 'cause Snoop Dogg is on the mic, I plan to rock it
Don't stop, don't stop (don't, don't stop)
Excuse me Doggy Dogg, you're on (hmm)

Six minutes, six minutes (yeah, yeah, yeah, yeah, yeah, yeah)
Six minutes, Doggy Dogg, you're on (yeah, yeah, yeah, yeah, yeah)
Uh-uh on, uh-uh on (yeah) (yeah, yeah, yeah, yeah, yeah, yeah)
Excuse me Doggy Dogg you're on (yeah, yeah, yeah, yeah, yeah)

Yeah, yeah, yeah
Yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah (yeah, yeah)

Yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah (oh-oh-oh, excuse me, excuse me, excuse me)

(Woo, woo) yeah, yeah, yeah (say it again)
Yeah, yeah, yeah, yeah, yeah (woo, woo) (Doggy Dogg you're on)

(Woo, woo, woo, woo) Doggy Dogg you're on
(Woo, woo, woo, woo)


Lyrics submitted by oofus

Sixx Minutes Lyrics as written by Douglas Davis Calvin Cordozar Broadus

Lyrics © MUSIC SERVICES, INC.

Lyrics powered by LyricFind

Sixx Minutes song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Just A Little Lovin'
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example: "'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.