| The Divine Comedy – Count Grassi's Passage Over Piedmont Lyrics | 14 years ago |
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I think Toperic's sense of the song is quite valid, though not quite aligned with my own. I don't tend to think of the balloon ride itself as symbolic. And I would say that what is described is not an individual's search for meaning but the sometimes contradictory impulses to control and to respect reality and the natural world, though perhaps that is more closely related of an idea than I initially realized. Here's a blow-by-blow for anyone like sedders who just didn't get this one. Neil's writing is pretty direct -- I mean, his songs are never abstract and even when they extend deeper than their literal surface (I don't think they always do), they still have that surface, and usually in the form of a straight-up narrative, which is the case in this song. Far below the balloon they are riding, he sees the river Po. Piedmont is in the northwestern corner of Italy, between Switzerland, France and the sea. Speaking to the balloon itself, he asks it to take it where ever it pleases, naming cities as far away as Spain. He is awestruck by the ride, even deferential towards it, and is awed as well by the Heavens (the unfathomable firmament) themselves. The next line could be considered to have a dual meaning. Presumably they've charted a course between two points on earth, but Count Grassi is suggesting they are really charting a course between the earth and the Heavens. He is still reveling in awe, noting how precious and fragile their craft is, comparing it to a Faberge egg. When he asks Sisyphus to keep pushing them skyward rhetorically, he's commenting on an ultimate futility, or perhaps what is seen as one -- but nonetheless has become gleeful to be pushing against this once unassailable boundary. Next he becomes wistful, romanticizing the idea of dying by falling out of a balloon that has gone as absolutely high as possible with no regard for safety. He thinks of dropping overboard the liverwurst, the fancy cakes, the emmentaler, the wine; the lighter the craft, the higher they will ascend. He is challenging gravity itself. But the last verse turns his flight of fancy back on itself. While he began his journey awestruck and humbled, as it had progressed, he'd worked himself into an arrogant frenzy, defying even death itself to resist human mastery. But now the swallows see the balloon and cry "Go back from whence you came!" They say: You've corrupted your own domain, and you won't have ours too! Humbled again, our sweet Count Grassi recognizes his error and apologises to the birds. The grandeur of the Heavens does not belong to the man who barges in. In fact, it belongs to no man at all. Toperic: from one atheist to another, a lack of belief in gods or the supernatural does not in any way need to hinder one's ability to appreciate that it is the natural, not the supernatural, which is truly worthy of our awe, admiration, study and respect. There is no religious belief required to be able to look at the sky in total awe like Count Grassi. We're all clinging only to our orb of blue and green after all. :) |
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