| Reptar – Context Clues Lyrics | 14 years ago |
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Context clues  Cue green lights, not annoying or bright It’s fine if you stop loving me, It’s fine if you start hating me Soft grey tones of a lover’s low moans 2010 might pull out the rug and find you alone  How many eggs do you lay and How many times would you say You’ve slept in without fear of David? How many holes filled with heavenly souls Are written in this modern kind of wayo  And at the sight of your name only the good things remain To see the good things you came to see the good things you came  Girls and clothes and lines; the things that you refuse to hide Don’t know what to say and listeners just shy away Guardian of love, memory or happenstance I know where you live And I know where you make romance  At the sight of your name only the good things remain to see the good things You came to see the good things you came |
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| Reptar – Phonetics Lyrics | 14 years ago |
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Phonetics  Good Morning, I can feel your feet and they are twitching When my feet twitch, it means that I’m upset Goodnight, I can feel your body, it is moving When my body moves like that it means I’m depressed  A movie? No, I don’t think that I could handle a movie If I did anything else I think my head would implode Phonetics? Oh, well that sounds like an interesting major You see I have a lisp so they’ve troubled me my whole life  All the consequences sent to all the awkward places Sent to all the awkward places I am too And all of these emotions buried deep in emotional oceans You spend the rest of your life finding out what they do  Collective? No, I’ve never heard of the collective But if that’s what you like I’m sure I’ll like it too  Institution? No, I’ve never fought the institution I’m scared of all the bad things they might do  And when I reach out my hand You don’t, you don’t, you don’t understand They never understand just for one night understand  Comfort, comfort I want to comfort you And tell you all the good things that I can do With my thighs, my hips, my mouth, my lips for you  All the consequences sent to all the awkward places Sent to all the awkward places I am too And all of these emotions buried deep in emotional oceans You spend the rest of your life finding out what they do  Pent up, my self-expression is absolving me Of all the bad things that I used to be, of all the bad things that I used to be  Effeminate whine, I called across and wrote over the phone And we are, we are, we are alone; we are, we are alone  An off-white smile, too much to swallow all alone To much to swallow all alone  When I leave here tomorrow or today; please don’t say that shit’s okay Even your mother knows it not okay It’s not okay  All the consequences sent to all the awkward places Sent to all the awkward places I am too And all of these emotions buried deep in emotional oceans You spend the rest of your life finding out what they do  After your clothes have spoken, and your temperament is token Then you truly are the fakest one I know All the words I’m using I am very carefully choosing So as not to take a poet’s point of view |
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| Reptar – Context Clues Lyrics | 14 years ago |
| Yeah this is definetely Houseboat Babies. Reptar is incredible live, such energy! Plus, they're really cool guys ;) | |
| of Montreal – The Events Leading Up to the Collapse of Detective Dulllight Lyrics | 14 years ago |
| Does anyone know if they've ever told this story at a show? | |
| Dr. Dog – Drop Me Off Lyrics | 14 years ago |
| In the first verse "certain now" just doesn't make much sense. I always thought it was "But I'm setting out for a long, long time ago". I'd like to think that's what it is just because I think it sounds nice, but the song is great either way! | |
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