| Cloud Cult – Exploding People Lyrics | 15 years ago |
| This song is to people who obsess over the past, or who are always holding back. People who don't live today, but tomorrow or yesterday. It's encouraging the listener to actually live their lives, and treasure the gift we call life, because everyone dies ("one by one the people they explode"). | |
| Cloud Cult – You Were Born Lyrics | 15 years ago |
|
Such a sweet song. :) As libdaisy said, this is about Craig and Connie's new baby, and their love for that baby. |
|
| Hollywood Undead – Everywhere I Go Lyrics | 17 years ago |
|
So I'll beat my meat like I'm a fuckin' butcher And I'll punk the pussy like I'm Ashton Kutcher! I lol'd. |
|
| Cloud Cult – The Ghost Inside Our House Lyrics | 17 years ago |
|
First off, amiantos, it is a sad thing when a child dies but covering the fact that it happens up like some dirty secret will only make it hurt worse. This song, to me, is about transition. At first he is singing about feeling desperately alone, and pleading for a miracle. But then, he realizes "it's a miracle ust to be breathing" and his outlook begins to change. He realizes that God's identity isn't all that important, and that he's thankful for what he's been given instead of wanting more. He also discovers how much he loves his significant other, because their singing fills him with the same awe as his thoughts of the mysterious creator. He reveres them in an almost religious way. And, finally, he wants to settle down and have a family, and that's the only rigid lines of belief he needs. Now he's ready to look for ghosts again, but instead of it being a desperate grasp at fulfilment, it's an optimism "that we live on, may we live on, in our song, our hummable song." |
|
| MC Lars – Generic Crunk Rap Lyrics | 17 years ago |
|
This song is making fun of crunk rap, by pointing out how talentless it really is. The last line "I'm just kidding Lil Jon, you know I love you!" is a referrence to Eminem. |
|
| Saul Williams – Sunday Bloody Sunday (U2 cover) Lyrics | 18 years ago |
|
It's amazing how this song was taken from a personal telling of Bloody Sunday during The Troubles in Ireland to a song about here and now, and I think that signifies just how pain can transcend time. No matter the era, we'll all have our bloody sundays. Trent Reznor's influence is very obvious in this song, to the point that it almost sounds like a Nine Inch Nails track in the beginning. However, the background vocals ("oh, oh, oh, oh") and the second half of this ballad remind me of a Marley track. Saul has managed to bring about the passion and deep-rooted soul that Bob himself made so famous, with a bit of NIN's dirty cog-in-the-machine feel and his own personal mood-setting vocals, all wrapped up in a package that defines just where Saul Williams is going with his music. And I, for one, am excited. |
|
* This information can be up to 15 minutes delayed.