The lyrics to through the dark seem to reference several film tropes and cinematic imagery, rather than a single specific movie. The references to “Sicilian men” and “brides in black shawls” could evoke scenes from classic mafia or Italian films, possibly drawing from films like The Godfather, which deals with Sicilian traditions and family honor. The imagery of a “silver-screen starlet,” “black and white blonde,” and a “smoke-filled room” could be nodding to the noir or old Hollywood genre, referencing anonymous blonde actresses who were often central to those films but remembered more for their image than their names. The idea of repeated televised lines and the feeling of having “seen the film before” might suggest commentary on familiar stories that we’ve seen repeated in cinema, especially those involving violence, loss, and tradition. The mixture of personal emotion and cinematic elements suggests a blending of personal experience with iconic film imagery.

Code Of Silence was basically a Cyndi Lauper penned-song that Billy Joel performed. He was on a writers block and needed to complete a few more tracks so he could cut The Bridge and had Cyndi Lauper assist him on completing the song. She also sang some vocals on the song, but it was essentially a Cyndi Lauper song in DNA with some Billy Joel lyrics. The story of the song in terms of lyrics are about someone who is bottling in their secrets or aspects of their life, when it may be better to live truthfully. The song has often been described as "labored" but I personally have always enjoyed it, even if it is more than likely a filler track on an 80s Joel album.

Classic love story true to his western tx roots. One of my favorites as a story, but I think there are alot of songs that are amazing not even listed on this site. I guess I should figure out how to add them, because I have about 8 REK cd's.

Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.

He certainly did earn that reputation.