Oh, Elise, it doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile, forget
And make-believe we never needed
Any more than this
Any more than this

Oh, Elise, it doesn't matter what you do
I know I'll never really get inside of you
To make your eyes catch fire
The way they should
The way the blue could pull me in
If they only would, if they only would
At least I'd lose this sense of sensing
Something else that hides away
From me and you, they're worlds to part
With aching looks and breaking hearts
And all the prayers your hands can make
Oh, I just take as much as you can throw
And then throw it all away
Oh, I throw it all away
Like throwing faces at the sky
Like throwing arms 'round yesterday
I stood and stared
Wide-eyed in front of you
And the face I saw looked back the way I wanted to
But I just can't hold my tears away the way you do
Elise, believe I never wanted this
I thought this time I'd keep all of my promises
I thought you were the girl I always dreamed about
But I let the dream go
And the promises broke and make-believe ran out

So, Elise, it doesn't matter what you say
I just can't stay here every yesterday
Like keep on acting out the same
The way we act out
Every way to smile, forget
And make-believe we never needed
Any more than this
Any more than this

And every time I try to pick it up
Like falling sand
As fast as I pick it up
It runs away through my clutching hands
But there's nothing else I can really do
There's nothing else I can really do
There's nothing else I can really do
At all


Lyrics submitted by oofus, edited by Mellow_Harsher

A Letter to Elise Lyrics as written by Porl Thompson Robert James Smith

Lyrics © Universal Music Publishing Group

Lyrics powered by LyricFind

A Letter to Elise song meanings
Add Your Thoughts

77 Comments

sort form View by:
  • +7
    General Comment

    this is the true beauty of cure songs, and robert's writing.. most of his inspiration comes from literature.. he takes it in, reforms it and spills it out in a form that makes the listener feel like the song was written for nobody else but them, that's why people always write their own personal stories and situations to cure songs.. he makes great works personal not only for himself but for the listener as well

    this as stated is indeed written from a Kafka inspiration, 'Letters To Felice', whom despite what was written here was not his mistress but actually his later to be fiance. He had met her, and they wrote letters to each other long distance. I think a hint of this song comes from the fact that many people believe that Kafka having distance and only letters created an image of Felice, that in reality Felice could not live up to, and he also exaggerated his feelings for her to prove to his father that he too could love and start a family, he later fell in love with what was thought to be her close friend.

    but putting it in a more personal aspect, as is so easy with robert's writing, no matter what the source. this song gives you a sense of wanting to try and trying but not being able to achieve the real goal of love and happiness with each other. he's writing to 'elise' to tell her that despite their best efforts, they both need something more.. they'll never really get inside of each other, and they're both fooling themselves. He wanted to believe but the reality of the whole situation was clear.

    xpsychicheartsxon June 02, 2005   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,