This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Uh uh, yo
They plan was to knock me out the top of the game
But I overstand they truth is all lame
I hold cannons that shoot balls of flames
Right in they fat mouth then I carve my name
Nas, too real, Nas, true king
It's however you feel, g'head, you swing
Your arms too short to box with god
I don't kill soloists only kill squads
Fame went to they head, so now it's "Fuck Nas"
Yesterday you begged for a deal, today you tough guys
I seen it coming
Soon as I popped my first bottle I spotted my enemies tryna' do what I do
Came in with my style, so I fathered you
I kept changing on the world since "Barbeque"
Now you wanna hang with niggas I hung with
Fuck bitches I hit, it's funny I once said
If I, ever make a record
I take a check and put something away for a rainy day to make my exit
But look at me now, ten years deep
Since in the project, crack in my socks weep
I never asked to be top of rap's elite
Just a ghetto child tryna' learn the traps of the streets
But look at me now
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
Now wait a sec', give me time to explain, women and fast cars
And diamond rings can poison a rap star
It's suicidal, how I smoke in so much la'
I saw a dead bird flying through a broken sky
Wish I could flap wings and fly away
To where black kings and Ghana stay
So I could get on my flesh right away
But that'll be the day when it's peace
When my gat don't need to spray
When these streets are safe to play
Sex with death, indulge in these women
Vision my own skeleton swimming in eternal fire
Broads play with pentagrams in they vagina
Like the Exorcist, then they gave birth to my seeds
I beg for God's help, why they love hurting me?
I'm your disciple, a thug certainly
I'm the N the A to the S-I-are
If I wasn't I must've been Escobar
Forty-five in my waist, staring at my reflection
In the mirror, sitting still in the chair like my conception
When everything around me got cloudy, the chair became a king's throne
My destiny found me
It's clear why the struggle was so painful
Metamorphosis, this is what I changed to
And God, I'm so thankful
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
They plan was to knock me out the top of the game
But I overstand they truth is all lame
I hold cannons that shoot balls of flames
Right in they fat mouth then I carve my name
Nas, too real, Nas, true king
It's however you feel, g'head, you swing
Your arms too short to box with god
I don't kill soloists only kill squads
Fame went to they head, so now it's "Fuck Nas"
Yesterday you begged for a deal, today you tough guys
I seen it coming
Soon as I popped my first bottle I spotted my enemies tryna' do what I do
Came in with my style, so I fathered you
I kept changing on the world since "Barbeque"
Now you wanna hang with niggas I hung with
Fuck bitches I hit, it's funny I once said
If I, ever make a record
I take a check and put something away for a rainy day to make my exit
But look at me now, ten years deep
Since in the project, crack in my socks weep
I never asked to be top of rap's elite
Just a ghetto child tryna' learn the traps of the streets
But look at me now
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
Now wait a sec', give me time to explain, women and fast cars
And diamond rings can poison a rap star
It's suicidal, how I smoke in so much la'
I saw a dead bird flying through a broken sky
Wish I could flap wings and fly away
To where black kings and Ghana stay
So I could get on my flesh right away
But that'll be the day when it's peace
When my gat don't need to spray
When these streets are safe to play
Sex with death, indulge in these women
Vision my own skeleton swimming in eternal fire
Broads play with pentagrams in they vagina
Like the Exorcist, then they gave birth to my seeds
I beg for God's help, why they love hurting me?
I'm your disciple, a thug certainly
I'm the N the A to the S-I-are
If I wasn't I must've been Escobar
Forty-five in my waist, staring at my reflection
In the mirror, sitting still in the chair like my conception
When everything around me got cloudy, the chair became a king's throne
My destiny found me
It's clear why the struggle was so painful
Metamorphosis, this is what I changed to
And God, I'm so thankful
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
"You're the man" "You're the man"
Lyrics submitted by spliphstar
You're da Man Lyrics as written by Paul Mitchell Nasir Jones
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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The Night We Met
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This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Gentle Hour
Yo La Tengo
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
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Wu-Tang Clan
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
"Your arms too short to box with God"? Erm Black Star(Kweli) used a smiliar line "your firearms are too short to box with God"? And Black Star came out in 98, Stillmatic in 01 if I'm not wrong. So I'm not sure if it originated from Nas. I remember Xzibit using something similar in a song with Kweli as well.
Not that I'm playa hating though, this is my favourite Nas song of all time, and one of my fav. hip hop songs. The line that killed it for me was "I beg for God's help, why they love hurtin' me. I'm your disciple, a thug certainly".
Lines about flying away to Ghana and the metamorphosis into a king from all his struggles were dope too. This is truly Nas on his throne, at the top of his game.