Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
Put your lips close to mine
As long as they don't touch
Out of focus, eye to eye
'Til the gravity's too much
And I'll do anything you say
If you say it with your hands
And I'd be smart to walk away
But you're quicksand
This slope is treacherous
This path is reckless
This slope is treacherous
And I, I, I like it
I can't decide if it's a choice
Getting swept away
I hear the sound of my own voice
Asking you to stay
And all we are is skin and bone
Trained to get along
Forever going with the flow
But you're friction
This slope is treacherous
This path is reckless
This slope is treacherous
I, I, I like it
Two headlights shine through the sleepless night
And I will get you, and get you alone
Your name has echoed through my mind
And I just think you should, think you should know
That nothing safe is worth the drive
And I would follow you, follow you home
I'll follow you, follow you home
This hope is treacherous
This daydream is dangerous
This hope is treacherous
I, I, I
I, I, I
I, I, I
Two headlights shine through the sleepless night
And I will get you, and get you alone
Your name has echoed through my mind
And I just think you should, think you should know
That nothing safe is worth the drive
And I will follow you, follow you home
I'll follow you, follow you home
I'll follow you, follow you home
I'll follow you, follow you home
This slope is treacherous
I, I, I like it
As long as they don't touch
Out of focus, eye to eye
'Til the gravity's too much
And I'll do anything you say
If you say it with your hands
And I'd be smart to walk away
But you're quicksand
This slope is treacherous
This path is reckless
This slope is treacherous
And I, I, I like it
I can't decide if it's a choice
Getting swept away
I hear the sound of my own voice
Asking you to stay
And all we are is skin and bone
Trained to get along
Forever going with the flow
But you're friction
This slope is treacherous
This path is reckless
This slope is treacherous
I, I, I like it
Two headlights shine through the sleepless night
And I will get you, and get you alone
Your name has echoed through my mind
And I just think you should, think you should know
That nothing safe is worth the drive
And I would follow you, follow you home
I'll follow you, follow you home
This hope is treacherous
This daydream is dangerous
This hope is treacherous
I, I, I
I, I, I
I, I, I
Two headlights shine through the sleepless night
And I will get you, and get you alone
Your name has echoed through my mind
And I just think you should, think you should know
That nothing safe is worth the drive
And I will follow you, follow you home
I'll follow you, follow you home
I'll follow you, follow you home
I'll follow you, follow you home
This slope is treacherous
I, I, I like it
Lyrics submitted by SongMeanings, edited by thrwmyhrtawy., lyla33
Treacherous Lyrics as written by Daniel Dodd Wilson Taylor Alison Swift
Lyrics © BMG Rights Management, Universal Music Publishing Group
Lyrics powered by LyricFind
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
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"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
This is one of the most overtly sexual songs Swift has ever written as she sings of heavy petting leading her down a treacherous slope. "That song was about a person that I knew," she told USA Today, "from the minute I saw him, that it would end in fiery, burning wreckage. There's something about that magnetic draw that doesn't really let up. You walk toward it anyway."
Swift penned this tune with former Semisonic frontman Dan Wilson, who also co-wrote Adele's "Someone Like You." Wilson is one of several songwriters that Swift reached out to write with her on Red. She told Billboard magazine: "Dan Wilson, back to his Semisonic days, has been a huge inspiration. When your inspirations become your collaborators, it becomes something really true to the music that you like."