So, all of you Africans, all of you Africans
That know how to do things that's workin' for other people
Y'all need to open your own business
Save your money, quit payin' motherfuckers for jheri curls
Quit payin' motherfuckers for perms
Save your money, start your own business
So these little Africans will have way-, places to work
This is our future right here
This our future right here (right there)
This (the new generation is goin', the new generation)
Hey, I'ma tell you right now, if, if, if I have to die today
For this little African right here to have a future
I'm a dead motherfucker (you right)

Wake up, jumped out my bed
I'm in a two-man cell with my homie Lil' 1/2 Dead
Murder was the case that they gave me
Dear God, I wonder, can you save me?
I'm only eighteen, so I'm a young buck
It's a riot, if I don't scrap, I'm gettin' stuck
But that's the life of a G, I guess
Eses way deep, shanked two in the chest
Best run 'cause brothers is droppin' quicker
Uh, too late, damn, down goes another nigga
Bouncin' off the walls, throwin' them dogs
Gettin' that rep as a young hog
It ain't nothin' like the street life
You better be strapped with your shank, 'cause ain't no fist fight
So I guess I gots to handle mine
Since I did the crime, I gots to do my time

Dem say me grow up to be nothin'
Look at me now and tell me what you see (tell me what you see)
I am what I am, it's only me
Little ghetto boy
Playin' in the ghetto street
Whatcha gonna do when you grow up
And have to face responsibility?

Now I'm holdin' a dub, sittin' on swoll
Twenty-seven years old, up for parole, stroll
I'm back up on my feet with my mind on the money
That I'll be makin' soon as I touch the streets
Things done changed on this side
Remember they used to thump, but now they blast, right
But it ain't no thang to me
'Cause now I'm what they call a loc'd-ass OG
The lil' homies from the hood with grip
Are the ones I get with 'cause I'm down to set trip
Nigga, I'm bigger than you, so what you wanna do?
Didn't know he had a .22
Straight sittin' behind his back
I grabbed his pockets and then I heard six caps
I fell to the ground with blood on my hands
I didn't understand
How a nigga so young could bust a cap
I used to be the same way back
I guess that's what I get (for what?)
For tryna jack the lil' homies for they grip

Mi learn many things from what mi see from the street
The outcome of what I've come to be
Little ghetto boy
Playin' in the ghetto street
Whatcha gonna do when you grow up
And have to face responsibility?

Somethin' for the real OGs to get with
Some facts, made our made, now you runnin' but don't play
Like every single day, really, though
You know me, I'm the smooth macadamien, gamin' them for my homie
No need in bein' calm if you pack right
And learnin' just enough to keep your sack right
Late nights, I wonder what they gettin' for?
Early mornin' on the corners, what they hittin' for?
Seven young G's put they serve down
In the G ride, East side's where they swerve now
Not thinkin' about what's really goin' on
Got crept on, stepped on, now they gone
I spent four years in the county with nothin' but convicts around me
But now I'm back at Tha Pound
And we expose ways for the youth to survive
Some think it's wrong but we tend to think it's right
So make all them ends you can make
'Cause when you're broke, you break, check it out
So ain't no need for your mama to trip
'Cause you's a hustlin'-ass youngsta, clockin' your grip

And now mi finally grown as you can see (as you can see)
Still an OG, for life and always remain to be
A little ghetto boy
Playin' in the ghetto street
Whatcha gonna do when you grow up
And have to face responsibility?


Lyrics submitted by SongMeanings

Lil' Ghetto Boy Lyrics as written by Calvin Broadus Andre Young

Lyrics © DAZAMATAZ, INC., BRET D. LEWIS DBA SMOKING WORD RECORDS, Warner Chappell Music, Inc.

Lyrics powered by LyricFind

Lil' Ghetto Boy song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
American Town
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.