Yeah, what
(Charli Baltimore)
Bout to lay it down for these muthafuckas
(Charli Baltimore)
What, speakin' on C. B'More
Yo, uh, yo, yo

[Verse One]

Now everybody wanna know the outcome, of went I come out
My roads to success, pay dues, with the thumb out
Hitch-hike, from she aight, to she's the nicest
I permit chicks to front, now I got a license what
Everybody wanna know if I spit my own hits
Come to any session, any song in question
Drop 48 bars on spots like remixes
All hoes do is add on my words like prefixes
Roll 'Thorough Bitches' from deep South to these sixes
Been way past cats ideas of mad riches
Phone numbers, bank accounts
They gon' match the time, what
9-9-9, 9-9, 9-9
And the punchline, give my best thoughts at "Crunch Time"
I drop cats front, part 2, three much
You want, hot shit, pop shit or some toxic
Underground gossip, '99, I lock shit, what

[DJ Premier]
'Charli Baltimore' [Charli]
'Charli Baltimore' [The B.I.G.]
'Yeah, yeah, my crew with... Untertainment'
'The Commission.. get it right'
'Charli Baltimore' [Charli]
'Charli Baltimore' [The B.I.G.]
'Yeah, yeah, my crew with... Untertainment'
'The Commission...'

[Verse Two]

Yo, uh, yo
Now everybody wanna know the price
Go soft in the rays, in other words B, meltin' they Ice
Lyrically price, mostly rap cats, nigga
So if I dis ya, better have them 48-Master Mister
Or Misses, bitches, came in Beemo with Preim-O
Jet flight like flocks, in L.V., Reno
Casino, I'll play Ginger, I don't need no
Divas, see her, niggas wanna see us
Fall off, only thing we do is parl' off
If it's beef, only thing you do is call off
Talkin' about Starter, please, we got is sewed up
When we got shows where you're at, don't even show up
Niggas need to grow up, step they flow up
Accept they diamonds won't blow up, and put they dough up
On how I grow up, and know what
Catch you on the Charli, you don't blown up
Check the dial tone...

[DJ Premier]
'Charli Baltimore' [Charli]
'Charli Baltimore' [The B.I.G.]
'Yeah, yeah, my crew with... Untertainment'
'The Commission.. get it right'
'Charli Baltimore' [Charli]
'Charli Baltimore' [The B.I.G.]
'Yeah, yeah, my crew with... Untertainment'
'The Commission...'

[Verse Three]

Yo, yo, uh
Now everybody wanna know my third, verse-atile
Niggas still tryin' to worry if I'm worth they wild
Why rap about clothes, I'ma merchantile
Legally the hot shit, in reverse awhile
Attachin' ideas to it, in my years, you through
In no time, I blow mine's, forget it, you who?
C-H-A-R-L-I, dot it, no 'E'
Ain't never been spotted, shit, nigga can throw me
Can't nobody hold me to nothin' they can't show me
Knew half now, and half now, do the math now
See who laughs now, E-mail, not free mail
Get the heffers like E-mail, rhyme with such detail
Geared to my songs like seashells, de-rail
Rappers off my track if they album is wacked
Half the tat's on my back, you can see me head on
Yeah me, get'cha red on point, be dead on, uh

[DJ Premier]
'Charli Baltimore' [Charli]
'Charli Baltimore' [The B.I.G.]
'Yeah, yeah, my crew with... Untertainment'
'The Commission.. get it right'
'Charli Baltimore' [Charli]
'Charli Baltimore' [The B.I.G.]
'Yeah, yeah, my crew with... Untertainment'
'The Commission...'


Lyrics submitted by SongMeanings

Everybody Wanna Know Lyrics as written by Charli Baltimore Burt Bacharach

Lyrics © BMG Rights Management, The Administration MP, Inc., Royalty Network, Kobalt Music Publishing Ltd., Hipgnosis Songs Group, Warner Chappell Music, Inc.

Lyrics powered by LyricFind

Everybody Wanna Know [*] song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.