As the grossness of spring lolls its head against the window
As the grossness of spring lolls its bloodied head

Curare! Curare! Curare!
brogue cries from the street
Curare! Curare!

As the grossness of spring rose a tumor balloon to squeak against the window
With the grossness of spring staining into the walls

The chair had been shifted ever so slightly say five feet or two centimeters
The prints of my fingers dusted from doorknobs
A lamp had been dimmed
Some sawdust where a ring had been
Where nice girls were turned into whores
Gardens with fountains where peacocks had strutted
Where dead children were born
The splendor of tigers turning to gold in the desert
Pale meadows of stranded pyramids

Sonny boy such a sonny boy there's a song in the air
Curare! Curare! Curare!
But the fair seniorita doesn't seem to care
Curare! Curare! Curare!

As the grossness of spring lolls its head against the window
As the grossness of spring lolls its bloodied head

I merely got up so slowly
Shuffled across the floor
Closed the door on the landing
descending the stairs dipping into the street
the paralyzed street

Brogue says
"Good afternoon!"
I say
"Good afternoon!"
"Yes, it's a lovely afternoon"

Into pockets unstitching so weighted with pins
Into eyes imploding on mazes of sins
The puddle beneath the cork--
--bobbing on a mild chop that rolled in off the river of Dix and the open water beyond

Brogue says
"I'LL PUNCH A DONKEY IN THE STREETS OF GALWAY!"
Then me
"I'LL PUNCH A DONKEY IN THE STREETS OF GALWAY!"
Brogue
"I'LL PUNCH A DONKEY IN THE STREETS OF GALWAY!"
"I'LL PUNCH A DONKEY IN THE STREETS OF GALWAY!"

Sonny boy such a sonny boy in her voice there's a flaw
Curare! Curare! Curare!
Sonny boy bye bye sonny boy e-e-aw and e-e-aw


Lyrics submitted by oswaldtherabbit

Jolson And Jones song meanings
Add Your Thoughts

4 Comments

sort form View by:
  • 0
    General Comment

    "The already infamous line from “Jolson And Jones” - “I’LL PUNCH A DONKEY IN THE STREETS OF GALWAY!” - refers to Allan Jones; not Uncut’s editor, but father of the younger Scott’s matinee idol Jack Jones. Jones père was a classically trained tenor who wound up in Hollywood and became best known for the novelty hit “Donkey Serenade”. Walker’s song has him commiserating with a drunk, paranoid Al Jolson in a ‘40s Vegas that doubles as the suburb of hell set aside for washed-up crooners."

    from here: uncut.net/music/uncut/reviews/8759

    kyeoon September 21, 2008   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Bron-Y-Aur Stomp
Led Zeppelin
This is about bronies. They communicate by stomping.
Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Magical
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.