Tired of looking sideways
But the things in black and white
No more, no more
Arguing my case to the wee hours of the night
What for? What for? What for?

Put it in your face and let the petals fall
Cursing your family name
Rather be unhappy that's the cause of it all
Panicked and hateful, with nothing to blame

That's a useful dream that pretended to explain
But no more, no more, no more

Superstition in the image of
One I already believe
Easier to use because I made it up to deal with the same things

Tired of looking sideways
But the thing's in black and white
What for? What for? What for?


Lyrics submitted by HughLloyd, edited by Jate

No More song meanings
Add Your Thoughts

9 Comments

sort form View by:
  • 0
    General Comment

    i interpret this as him saying his depression is kind of a lie, even though it's not- i do this to myself to where i'll criticize myself for being depressed and feel it's just a thing i do to cast blame, and remain paralyzed so i don't have to function- so i can stay helpless.

    "arguing his case" is all the negative thinking where he might feel he's trying to convince himself he has a reason to feel so mentally incapacitated, all the while feeling himself a farce.

    He also, in my interpretation, is saying that his depression is a "useful dream" in that it allows him to be useless- it lowers one's expectations of oneself because you can blame everything on the depression instead of dealing with your situation proactively.

    it isn't logical thinking, but i partake in it, and i think this is what he means.

    this thinking is replicated in King's Crossing where he refers to himself as a "method actor".

    dgfthqyon December 14, 2009   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.