The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Elope with me, Miss Private, and we'll sail around the world
I will be your Ferdinand and you my wayward girl
How many nights of talking in hotel rooms can you take?
How many nights of limping round on pagan holidays?
Oh elope with me in private and we'll set something ablaze
A trail for the devil to erase
San Francisco's calling us, the Giants and Mets will play
Piazza, New York catcher, are you straight or are you gay?
We hung about the stadium, we've got no place to stay
We hung about the Tenderloin and tenderly you tell
About the saddest book you ever read, it always makes you cry
The statue's crying too and well he may
I love you
I've a drowning grip on your adoring face
I love you, my responsibility has found a place
Beside you and strong warnings in the guise of gentle words
Come wave upon me from the family wider net absurd
"You'll take care of her, I know it, you will do a better job"
Maybe, but not what she deserves
Elope with me, Miss Private, and we'll drink ourselves awake
We'll taste the coffee houses and award certificates
A privy seal to keep the feel of 1960 style
We'll comment on the decor and we'll help the passer by
And at dusk when work is over we'll continue the debate
In a borrowed bedroom virginal and spare
The catcher hits for .318 and catches every day
The pitcher puts religion first and rests on holidays
He goes into cathedrals and lies prostrate on the floor
He knows the drink affects his speed, he's praying for a doorway
Back into the life he wants and the confession of the bench
Life outside the diamond is a wrench
I wish that you were here with me to pass the dull weekend
I know it wouldn't come to love, my heroine pretend
A lady stepping from the song we love until this day
You'd settle for an epitaph like "Walk Away, Renee"
The sun upon the roof in winter will draw you out like a flower
Meet you at the statue in an hour
Meet you at the statue in an hour
I will be your Ferdinand and you my wayward girl
How many nights of talking in hotel rooms can you take?
How many nights of limping round on pagan holidays?
Oh elope with me in private and we'll set something ablaze
A trail for the devil to erase
San Francisco's calling us, the Giants and Mets will play
Piazza, New York catcher, are you straight or are you gay?
We hung about the stadium, we've got no place to stay
We hung about the Tenderloin and tenderly you tell
About the saddest book you ever read, it always makes you cry
The statue's crying too and well he may
I love you
I've a drowning grip on your adoring face
I love you, my responsibility has found a place
Beside you and strong warnings in the guise of gentle words
Come wave upon me from the family wider net absurd
"You'll take care of her, I know it, you will do a better job"
Maybe, but not what she deserves
Elope with me, Miss Private, and we'll drink ourselves awake
We'll taste the coffee houses and award certificates
A privy seal to keep the feel of 1960 style
We'll comment on the decor and we'll help the passer by
And at dusk when work is over we'll continue the debate
In a borrowed bedroom virginal and spare
The catcher hits for .318 and catches every day
The pitcher puts religion first and rests on holidays
He goes into cathedrals and lies prostrate on the floor
He knows the drink affects his speed, he's praying for a doorway
Back into the life he wants and the confession of the bench
Life outside the diamond is a wrench
I wish that you were here with me to pass the dull weekend
I know it wouldn't come to love, my heroine pretend
A lady stepping from the song we love until this day
You'd settle for an epitaph like "Walk Away, Renee"
The sun upon the roof in winter will draw you out like a flower
Meet you at the statue in an hour
Meet you at the statue in an hour
Lyrics submitted by ReActor, edited by ConReid, alice144, seanjgaw, Mellow_Harsher, stormville
Piazza, New York Catcher Lyrics as written by Christopher Geddes Bob Kildea
Lyrics © Hipgnosis Songs Group
Lyrics powered by LyricFind
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Light Up The Sky
Van Halen
Van Halen
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
I'm pretty sure five_to_one nailed it on the head when he said the statue they speak of is probably that of Willy Mays, outside the San Francisco Giants stadium. It not only fits the setting of the song, but the band hints at it with a clever turn of phrase when they speak of the statue in the second verse,
'We hung about the tenderloin and tenderly you tell, About the saddest ending of a book you ever read, It always makes you cry, The statue's crying too and well he may.'
The way that Stuart sings that very last line he pulls those last three words, 'well he may' in together very tightly, making the phrase sound very much like the name Willy Mays. It's fairly subtle wordplay but exactly the sort of thing that makes Belle and Sebastian lyrics so much fun to listen to.