This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
She climbs a tree
And scrapes her knee
Her dress has got a tear.
She waltzes on her way to mass
And whistles on the stair.
And underneath her wimple
She has curlers in her hair!
Maria's not an asset to the abbey.
She's always late for chapel,
But her penitence is real.
She's always late for everything,
Except for every meal.
I hate to have to say it
But I very firmly feel
Maria's not an asset to the abbey!
I'd like to say a word on her behalf.
Maria makes me laugh!
How do you solve a problem like Maria?
How do you catch a cloud and pin it down?
How do you find a word that means Maria?
A flibberti gibbet!
A willo' the wisp!
A clown!
Many a thing you know you'd like to tell her,
Many a thing she ought to understand.
But how do you make her stay
And listen to all you say,
How do you keep a wave upon the sand?
Oh, how do you solve a problem like Maria?
How do you hold a moonbeam in your hand?
When I'm with her I'm confused
Out of focus and bemused,
And I never know exactly where I am.
Unpredictable as weather,
She's as flighty as a feather,
She's a darling,
She's a demon,
She's a lamb.
She'd out-pester any pest,
Drive a hornet from his nest,
She can throw a whirling dervish
Out of whirl.
She is gentle,
She is wild,
She's a riddle.
She's a child.
She's a headache!
She's an angel!
She's a girl.
How do you solve a problem like Maria?
How do you catch a cloud and pin it down?
How do you find a word that means Maria?
A flibberti gibbet!
A willo' the wisp!
A clown!
Many a thing you know you'd like to tell her,
Many a thing she ought to understand.
But how do you make her stay,
And listen to all you say?
How do you keep a wave upon the sand?
Oh, how do you solve a problem like Maria?
How do you hold a moonbeam in your hand?
And scrapes her knee
Her dress has got a tear.
She waltzes on her way to mass
And whistles on the stair.
And underneath her wimple
She has curlers in her hair!
Maria's not an asset to the abbey.
She's always late for chapel,
But her penitence is real.
She's always late for everything,
Except for every meal.
I hate to have to say it
But I very firmly feel
Maria's not an asset to the abbey!
I'd like to say a word on her behalf.
Maria makes me laugh!
How do you solve a problem like Maria?
How do you catch a cloud and pin it down?
How do you find a word that means Maria?
A flibberti gibbet!
A willo' the wisp!
A clown!
Many a thing you know you'd like to tell her,
Many a thing she ought to understand.
But how do you make her stay
And listen to all you say,
How do you keep a wave upon the sand?
Oh, how do you solve a problem like Maria?
How do you hold a moonbeam in your hand?
When I'm with her I'm confused
Out of focus and bemused,
And I never know exactly where I am.
Unpredictable as weather,
She's as flighty as a feather,
She's a darling,
She's a demon,
She's a lamb.
She'd out-pester any pest,
Drive a hornet from his nest,
She can throw a whirling dervish
Out of whirl.
She is gentle,
She is wild,
She's a riddle.
She's a child.
She's a headache!
She's an angel!
She's a girl.
How do you solve a problem like Maria?
How do you catch a cloud and pin it down?
How do you find a word that means Maria?
A flibberti gibbet!
A willo' the wisp!
A clown!
Many a thing you know you'd like to tell her,
Many a thing she ought to understand.
But how do you make her stay,
And listen to all you say?
How do you keep a wave upon the sand?
Oh, how do you solve a problem like Maria?
How do you hold a moonbeam in your hand?
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This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
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Great version of a great song,
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