"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
I want to tell you 'bout my good thing
I ain't disclosing no names but
He sure is a good friend and
I ain't gonna tell you where he comes from, no
If I tell you you won't come again, hey
I ain't gonna tell you nothin' but I do will, but I know, yeah
Now let me tell you 'bout my girl
Open up a newspaper and what do I see? Ahh, ah
See my girl, ah, looking at me
Ooh, and when she walks, she walks
Lemme tell ya, when she talks, she talks
And when she looks me in my eye
She's my baby, Lord, I want to make her mine, yeah
Tell me baby what you want me to do?
And you want me to love you, love some other man too?
Ain't gonna call me Mr. Pitiful, no
Oh, I don't need no respect from nobody, no, no
Ahh, no no, ahh
I ain't gonna tell you nothing I ain't gonna tell you no more, no
She's my baby, let me tell you that I love her so and, and
She's the woman I really want to love and let me tell you more, ooh
She's my baby, lemme tell you, she lives next door
She's the one a-woman, the one a-woman that I know
I ain't going, I ain't going, I ain't going tell you
I ain't going tell you one thing that you really ought to know, ooh
She's my lover, baby, and I love her so and
She's the one that really makes me whirl and twirl!
And she's the kind of lover that makes me me fill the whole world and
She's the one who really makes me jump and shout, ooh
She's the kind of girl, I know what it's all about
Take it on, take it, take it, take it
Ah, excuse me
Oh, will ya excuse me
I'm just trying to find the bridge
Has anybody seen the bridge?
Please
Have you seen the bridge?
I ain't seen the bridge!
Where's that confounded bridge?
I ain't disclosing no names but
He sure is a good friend and
I ain't gonna tell you where he comes from, no
If I tell you you won't come again, hey
I ain't gonna tell you nothin' but I do will, but I know, yeah
Now let me tell you 'bout my girl
Open up a newspaper and what do I see? Ahh, ah
See my girl, ah, looking at me
Ooh, and when she walks, she walks
Lemme tell ya, when she talks, she talks
And when she looks me in my eye
She's my baby, Lord, I want to make her mine, yeah
Tell me baby what you want me to do?
And you want me to love you, love some other man too?
Ain't gonna call me Mr. Pitiful, no
Oh, I don't need no respect from nobody, no, no
Ahh, no no, ahh
I ain't gonna tell you nothing I ain't gonna tell you no more, no
She's my baby, let me tell you that I love her so and, and
She's the woman I really want to love and let me tell you more, ooh
She's my baby, lemme tell you, she lives next door
She's the one a-woman, the one a-woman that I know
I ain't going, I ain't going, I ain't going tell you
I ain't going tell you one thing that you really ought to know, ooh
She's my lover, baby, and I love her so and
She's the one that really makes me whirl and twirl!
And she's the kind of lover that makes me me fill the whole world and
She's the one who really makes me jump and shout, ooh
She's the kind of girl, I know what it's all about
Take it on, take it, take it, take it
Ah, excuse me
Oh, will ya excuse me
I'm just trying to find the bridge
Has anybody seen the bridge?
Please
Have you seen the bridge?
I ain't seen the bridge!
Where's that confounded bridge?
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More Featured Meanings
Fast Car
Tracy Chapman
Tracy Chapman
Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
This is about bronies. They communicate by stomping.
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
In the dictionary it says, "bridge: a musical passage linking two sections of a composition." This song, unlike almost every other song ever written, does not have a bridge. There's no real chorus or transition from the main phrase of music and this gives the song the feeling of a run-on sentence. Hence the funky and abrupt ending.
Also, this song was part of the "Houses of the Holy" album, which was their fifth.
I enjoy this song simply because it is different. I also like the guitar and bass work.