It's four in the morning, the end of December
I'm writing you now just to see if you're better
New York is cold, but I like where I'm living
There's music on Clinton Street all through the evening

I hear that you're building your little house deep in the desert
You're living for nothing now, I hope you're keeping some kind of record

Yes, and Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear
Did you ever go clear?

Ah, the last time we saw you you looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train, and
You came home without Lili Marlene

And you treated my woman to a flake of your life
And when she came back she was nobody's wife

Well I see you there with the rose in your teeth
One more thin gypsy thief
Well, I see Jane's awake
She sends her regards

And what can I tell you my brother, my killer
What can I possibly say?
I guess that I miss you, I guess I forgive you
I'm glad you stood in my way

If you ever come by here, for Jane or for me
Well, your enemy is sleeping, and his woman is free

Yes, and thanks, for the trouble you took from her eyes
I thought it was there for good so I never tried

And Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear

Sincerely, L Cohen


Lyrics submitted by phaethon, edited by Shutyourmouth2, 2014, mdarabpour

Famous Blue Raincoat Lyrics as written by Leonard Cohen

Lyrics © Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

Famous Blue Raincoat song meanings
Add Your Thoughts

90 Comments

sort form View by:
  • +5
    General Comment

    I see this whole song as Cohen's attempt to reconcile his emotions with his deteriorating relationship with Jane. Perhaps he knew that Jane was never really satisfied with Cohen emotionally, yet they continued to stay together, and Cohen is having trouble coming to terms with the fat that he would never completely satisfy his "woman."

    The "brother" was close to both parties and was suffering from manic depression and drug addication. The line that describes the "brother" as going to the station to meet every train and coming home without Lili Marlene refers to his depression - his manic ambition to get better (meeting every train) and the inevitable return of the depression and drug abuse (Lili Marlene being as strictly symbolic figure). I think it's possible that Jane and the "brother" had an emotional but Cohen assumed it was sexual and because of his own insecurity (knowing he knew he wasn't making Jane happy but unwilling to see it as his own fault or too emotiaonally immature to be proactive about it) labels the problem as Jane's.

    Jane knows the "brother" needs help and because she is also a close friend to the "brother" (and maybe because she could identify with depression) believes that she can make him better. She brings back the lock of hair (which I see as Jane's attempt to literally clean him up with a haircut and shave) to Cohen because she knows how much the friend means to him. Maybe Jane has even fallen in love with the brother, but realizes that the "brother" will never "go clear" from the drugs or make the commitment to get better so a relationship would never work. I think when Cohen refers to the "brother" as a thin, gypsy theif, it's a sarcastic remark at how disappointed he is in the "brother" - that he perhaps has a certain amount of disgust in the fluctuation of his moods and senses Jane's emotional bond with the "brother" that Cohen sees as being stolen from him.

    I feel that Jane and Cohen were living together and their relationship worked enough to keep them together, dispite their differences and emotional needs. Maybe Jane really longed to be with the "brother" but knew she could never deal with the drug addication and while Cohen didn't provide her with the excitement and whirl-wind romance she wanted, he was stable - so the two remained together as companions, too afraid to break away from each other. So they're together and both still quite concerned for the "brother." I see Cohen writing to the "brother" after a night of reflection and drinking - a letter he doesn't really intend to send. And maybe he's doing it to punish Jane. I think he's trying hard to resolve his inner conflict - he wants to forgive the "brother" and obviously thinks of him enough to not want to cut him out of his life although he might have for a short time. I think Cohen went through a period when he tried to dismiss the "brother" or forget about him altogether, but in the end he just couldn't do it because he of his love for him...hence the lyric "I'm glad you stood in my way."

    I think the line in which Cohen writes "if you ever come by here for Jane or for me, your enemy is sleeping and his woman is free" is his bitter invitation to the "brother" to visit him - he admits he's still very angry and hurt but has gotten over it for them moment; he also eludes to his own emotional detachment to Jane. While he's struggling to resolve his bitterness, anger and sadness over the situation, he realizes that the "brother's" relationship with Jane was necessary in order for Cohen and Jane to be together at all. Maybe it's his way of saying that he knew that Jane had feelings for the "brother" (maybe still does) but if she hadn't gone to visit him and try to "fix" him she would never have come to terms with the fact that the "brother" was never going to "go clear" - that he would never take the steps necessary for him to treat his depression and kick his habit.

    Cohen ending the song with a line he uses at the beginning of the song (the lock of hair) emphasizes the crux of Cohen's conflict - he let Jane go to help the "brother" and when Jane returned somehow uplifted he made up his mind that they'd had an affair and knew it was silly but just couldn't get over it and constantly struggles to resolve it.

    Bohemian Pearlon April 02, 2007   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Fortnight
Taylor Swift
The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.