This is about bronies. They communicate by stomping.
Here are the young men, the weight on their shoulders
Here are the young men, well where have they been?
We knocked on the doors of Hell's darker chamber
Pushed to the limit, we dragged ourselves in
Watched from the wings as the scenes were replaying
We saw ourselves now as we never had seen
Portrayal of the trauma and degeneration
The sorrows we suffered and never were free
Where have they been?
Where have they been?
Where have they been?
Where have they been?
Weary inside, now our heart's lost forever
Can't replace the fear, or the thrill of the chase
Each ritual showed up the door for our wanderings
Open then shut, then slammed in our face
Where have they been?
Where have they been?
Where have they been?
Where have they been?
Here are the young men, well where have they been?
We knocked on the doors of Hell's darker chamber
Pushed to the limit, we dragged ourselves in
Watched from the wings as the scenes were replaying
We saw ourselves now as we never had seen
Portrayal of the trauma and degeneration
The sorrows we suffered and never were free
Where have they been?
Where have they been?
Where have they been?
Where have they been?
Weary inside, now our heart's lost forever
Can't replace the fear, or the thrill of the chase
Each ritual showed up the door for our wanderings
Open then shut, then slammed in our face
Where have they been?
Where have they been?
Where have they been?
Where have they been?
Lyrics submitted by typo, edited by BlumpkinLord, v00n
Decades [2020 Digital Master] Lyrics as written by Ian Kevin Curtis Bernard Sumner
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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Bron-Y-Aur Stomp
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This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
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Basically, Decades is Joy Division the Las Vegas years. This is not as glib an assesment as it sounds. Taking Closer as a whole, the first side is a man debating with himself whether or not to make the ultimate sacrifice ending in A Means to an End and the taking of his life. Heart and Soul is the immediate aftermath of death, Twenty Four Hours is coming to terms with grief, The Eternal is the funeral and Decades is twenty years later.
Decades looks back at what could have been and what actually happened. Decades is very much in the spirit of "its better to burn out than fade away". Rather than grow old disgracefully and become a parody of him/themself Decades celebrates the implosion of what Curtis final act meant for the group both creatively and enigmatically.
Its with some irony that 21 years on from Curtis death, New Order "reformed" and for the first time since Joy Division actually started playing their songs at their gigs. Perhaps Curtis was right all along...
Joy Division made a series of TV appearances 78-79 about the same time that this song would have been written. This is a song that says "ïs this all there is ?", In '79 the presenter talked across a performance of shadowplay during the closing credits - insult ? I reckon...
@
The Eternal'concerns an autistic child who lived in Curtis' neighborhood...their gardens backed onto one another...<br />