The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Ever close your eyes
Ever stop and listen
Ever feel alive
And you've nothing missing
You don't need a reason
Let the day go on and on
Let the rain fall down
Everywhere around you
Give into it now
Let the day surround you
You don't need a reason
Let the rain go on and on
What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to a wild child
Only take the time
From the helter skelter
Every day you find
Everything's in kilter
You don't need a reason
Let the day go on and on
Every summer sun
Every winter evening
Every spring to come
Every autumn leaving
You don't need a reason
Let it all go on and on
What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to a wild child
What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to a wild child
Da-da-da-da, da-da-da-da
Da-da-da-da, da-da-da-da
Da-da-da-da-da, da-da-da-da-da-da
What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to
Da-da-da, da-da-da-da-da-da
What a way, what a way to make it through
Da-da-da, da-da-da-da-da-da
Da-da-da, da-da-da-da-da-da
What a way, what a way to make it through
What a day, what a day to take to a wild child
What a day, what a day to take to a wild child
Ever stop and listen
Ever feel alive
And you've nothing missing
You don't need a reason
Let the day go on and on
Let the rain fall down
Everywhere around you
Give into it now
Let the day surround you
You don't need a reason
Let the rain go on and on
What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to a wild child
Only take the time
From the helter skelter
Every day you find
Everything's in kilter
You don't need a reason
Let the day go on and on
Every summer sun
Every winter evening
Every spring to come
Every autumn leaving
You don't need a reason
Let it all go on and on
What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to a wild child
What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to a wild child
Da-da-da-da, da-da-da-da
Da-da-da-da, da-da-da-da
Da-da-da-da-da, da-da-da-da-da-da
What a day, what a day to take to
What a way, what a way to make it through
What a day, what a day to take to
Da-da-da, da-da-da-da-da-da
What a way, what a way to make it through
Da-da-da, da-da-da-da-da-da
Da-da-da, da-da-da-da-da-da
What a way, what a way to make it through
What a day, what a day to take to a wild child
What a day, what a day to take to a wild child
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Light Up The Sky
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Blue
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“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Head > Heels
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“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
There are people that exist called "Feral Children", which simply means they were separated from human beings during the years of life one usually learns languages and how to behave civilly. There are very dark cases of feral children being kept in a room or a basement for most of their lives by abusive caretakers, but in other cases, feral children (sometimes nicknamed wild children or "Wild child") grow up in the wilderness with no human contact.
I think Enya is talking more about the wild child that grows up in the wilderness, free as a bird and not caught up in the trivial things that us "civilized" humans worry about and trifle with.
The child is just living their lives, naturally and happily in nature.
"You don't need a reason let the rain go on and on."
Everyone desperately looks for a reason to be living, while they don't realize, they should just be living. The wild child doesn't care about tomorrow or next week, or next year. She/he just lives, and let's life happen to him/her instead of snooping around for meaningless things that shouldn't even play a part in anyone's life.
Sadly, feral children tend to sicken and die very quickly when removed from the environment the grew up in, and tend to die very young even if left there.