Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
When the day is done, and the ball has spun, in the umpire's pocket away
And all remains, in the groundsman's pains for the rest of time and a day
There'll be one mad dog and his master, pushing for four with the spin
On a dusty pitch, with two pounds six of willow wood in the sun
When an old cricketer leaves the crease, you never know whether he's gone
If sometimes you're catching a fleeting glimpse of a twelfth man at silly mid-on
And it could be Geoff, and it could be John, with a new ball sting in his tail
And it could be me, and it could be thee, and it could be the sting in the ale
Sting in the ale.
When an old cricketer leaves the crease, well you never know whether he's gone
If sometimes you're catching a fleeting glimpse of a twelfth man at silly mid-on
And it could be Geoff and it could be John, with a new ball sting in his tail
And it could be me and it could be thee, and it could be the sting in the ale
The sting in the ale.
When the moment comes and the gathering stands and the clock turns back to reflect
On the years of grace as those footsteps trace for the last time out of the act
Well this way of life's recollection, the hallowed strip in the haze
The fabled men and the noonday sun are much more than just yarns of their days.
When an old cricketer leaves the crease, well you never know whether he's gone
If sometimes you're catching a fleeting glimpse of a twelfth man at silly mid-on
And it could be Geoff and it could be John with a new ball sting in his tail
And it could be me and it could be thee and it could be the sting in the ale
The sting in the ale.
When an old cricketer leaves the crease, well you never know whether he's gone
If sometimes you're catching a fleeting glimpse of a twelfth man at silly mid-on
And it could be me and it could be thee.
And all remains, in the groundsman's pains for the rest of time and a day
There'll be one mad dog and his master, pushing for four with the spin
On a dusty pitch, with two pounds six of willow wood in the sun
When an old cricketer leaves the crease, you never know whether he's gone
If sometimes you're catching a fleeting glimpse of a twelfth man at silly mid-on
And it could be Geoff, and it could be John, with a new ball sting in his tail
And it could be me, and it could be thee, and it could be the sting in the ale
Sting in the ale.
When an old cricketer leaves the crease, well you never know whether he's gone
If sometimes you're catching a fleeting glimpse of a twelfth man at silly mid-on
And it could be Geoff and it could be John, with a new ball sting in his tail
And it could be me and it could be thee, and it could be the sting in the ale
The sting in the ale.
When the moment comes and the gathering stands and the clock turns back to reflect
On the years of grace as those footsteps trace for the last time out of the act
Well this way of life's recollection, the hallowed strip in the haze
The fabled men and the noonday sun are much more than just yarns of their days.
When an old cricketer leaves the crease, well you never know whether he's gone
If sometimes you're catching a fleeting glimpse of a twelfth man at silly mid-on
And it could be Geoff and it could be John with a new ball sting in his tail
And it could be me and it could be thee and it could be the sting in the ale
The sting in the ale.
When an old cricketer leaves the crease, well you never know whether he's gone
If sometimes you're catching a fleeting glimpse of a twelfth man at silly mid-on
And it could be me and it could be thee.
Lyrics submitted by azkm
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Classic song from Roy and oft quoted - I think the meaning is pretty clear - a wistful look at the end of life in terms of playing your last innings.... Roy says he took the title from a comment from the late great cricket commentator John Arlot about a retiring batsman.
But there many specialist terms and references used - see below my take on them - originally written for an American who was asking: 1. "When the day is done, and the ball has spun"
"On a dusty pitch, with two pounds six, of willowwood in the sun."
Chs "When an old cricketer leaves the crease, you never know whether he's gone,"
2. "When the moment comes, and the gathering stands, And the clock turns back to reflect, On the years of grace, as those footsteps trace, For the last time out of the act."