This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Distant flickering, its greener scenery,
This weathers bringing it all back again.
Great adventures, faces and condensation,
I'm going outside and take it all in.
You say too late to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
We're a different pair, just something out of step,
Throw a stranger an unexpected smile.
With big intention, still posted at your station
Always on about the day it should have flown.
You say too late to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
Afraid to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
I'm walking, you've been hiding,
And you look half dead half the time.
Monitoring you, like machines do,
You've still got it, I'm just keeping an eye
I've been walking, you've been hiding,
And you look half dead half the time.
Monitoring you, like machines do,
You've still got it, I'm just keeping an eye
You know you're better than this
Come back and start, got your heart in a headlock,
No I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
Afraid to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
This weathers bringing it all back again.
Great adventures, faces and condensation,
I'm going outside and take it all in.
You say too late to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
We're a different pair, just something out of step,
Throw a stranger an unexpected smile.
With big intention, still posted at your station
Always on about the day it should have flown.
You say too late to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
Afraid to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
I'm walking, you've been hiding,
And you look half dead half the time.
Monitoring you, like machines do,
You've still got it, I'm just keeping an eye
I've been walking, you've been hiding,
And you look half dead half the time.
Monitoring you, like machines do,
You've still got it, I'm just keeping an eye
You know you're better than this
Come back and start, got your heart in a headlock,
No I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
Afraid to start, got your heart in a headlock,
I don't believe any of it.
You say too late to start, with your heart in a headlock,
You know your better than this.
Lyrics submitted by badlydrawnroy, edited by Lunyre, aholady7114
Headlock Lyrics as written by Imogen Jennifer Heap
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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Hayalperest
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Yo La Tengo
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Magical
Ed Sheeran
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How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
Actually, this is more than just believing in someone. It's a specific kind of relationship between the narrator and the person they're talking to. It's about love, otherwise there would be ne no references to "hearts".
The key line here is "With big intention, still posted at your station Always on about the day it should have flown."
Which shows that the narrator is the one who wants something from the person, and the person can't give it to them ("too late to start") because they are pre-occupied with something else ("heart in a headlock").
Specifically, the narrator wants a relationship with the person, but the person cannot get into it because their heart is too mangled [from past relationships?], but the narrator still has the patience to wait for them, however frustrating it may be.