@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
The whole place is dark
Every light on this side of the town
Suddenly it all went down
Now we'll all be brothers of the fossil fire of the sun
Now we will all be sisters of the fossil blood of the moon
Someone must have set us up
Now they'll be working in the cold grey rock,
Now they'll be working in the hot mill steam,
Now they'll be working in the concrete
In the sirens and the silences now all the great set up hearts -
All at once start to beat
After tonight if you don't want us to be a secret out of the past
I will resurrect it, I'll have a good go at it
I'll streak his blood across my beak and dust my feathers with his ashes
I can feel his ghost breathing down my back
I will try and know whatever I try, I will be gone but not forever
I will try and know whatever I try, I will be gone but not forever
The real truth about it is no one gets it right
The real truth about it is we're all supposed to try
There ain't no end to the sands I've been trying to cross
The real truth about it is my kind of life's no better off
If I've got the maps or if I'm lost
We will try and know whatever we try,
We will be gone but not forever
Come on let's try will try and know whatever we try,
We will be gone but not forever
The real truth about it is there ain't no end to the desert I'll cross
I've really known that all along
Mama here comes midnight with the dead moon in its jaws
Must be the big star about to fall
Mama here comes midnight with the dead moon in its jaws
Must be the big star about to fall
Long dark blues
Will o the wisp
The big star is falling
Through the static and distance
A farewell transmission
Listen
Every light on this side of the town
Suddenly it all went down
Now we'll all be brothers of the fossil fire of the sun
Now we will all be sisters of the fossil blood of the moon
Someone must have set us up
Now they'll be working in the cold grey rock,
Now they'll be working in the hot mill steam,
Now they'll be working in the concrete
In the sirens and the silences now all the great set up hearts -
All at once start to beat
After tonight if you don't want us to be a secret out of the past
I will resurrect it, I'll have a good go at it
I'll streak his blood across my beak and dust my feathers with his ashes
I can feel his ghost breathing down my back
I will try and know whatever I try, I will be gone but not forever
I will try and know whatever I try, I will be gone but not forever
The real truth about it is no one gets it right
The real truth about it is we're all supposed to try
There ain't no end to the sands I've been trying to cross
The real truth about it is my kind of life's no better off
If I've got the maps or if I'm lost
We will try and know whatever we try,
We will be gone but not forever
Come on let's try will try and know whatever we try,
We will be gone but not forever
The real truth about it is there ain't no end to the desert I'll cross
I've really known that all along
Mama here comes midnight with the dead moon in its jaws
Must be the big star about to fall
Mama here comes midnight with the dead moon in its jaws
Must be the big star about to fall
Long dark blues
Will o the wisp
The big star is falling
Through the static and distance
A farewell transmission
Listen
Lyrics submitted by Mopnugget, edited by Mellow_Harsher, embassyrow, Ant292
Farewell Transmission Lyrics as written by Jason Molina
Lyrics © SC PUBLISHING DBA SECRETLY CANADIAN PUB.
Lyrics powered by LyricFind
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Holiday
Bee Gees
Bee Gees
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Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
newly published interview with molina, thought this was cool:
“Farewell Transmission” must be one of the most heroic recording moments of all time, because I called in people that were not already scheduled to be in the band and I was like, “Oh, now we’re going to have a violin player, and we’re going to have an extra singer.” I called out all of these things, much like a conductor does — and trust me, I’m not a conductor. I’m the break man. I will not fuck you up if I am the break man, I just don’t want to move anymore. We put, I think, about 12 people in a room and recorded that song live, completely live, and unrehearsed. I showed ‘em the chord progression, they had no idea when it would end, and we just cut it. Steve [Albini] did a beautiful job. I noticed that at one point when it was a little too loud or a little too soft he came and opened a door to make it work, because it was just an ambient recording. When you hear that song kick off everybody knows it, and what’s so disturbing to me is the way that I ended it is I was dictating to the band and Steve–I go “Listen. Listen. Listen.” And then at one point they all stop. It’s great.
JT: I can’t even believe that was done live and improvised. That is absolutely stunning.
JM: I got all my favorite friends from Chicago, and my favorite, good musicians and we just did this record, and it has lasted. It’s got weight, I’m talking 500 pound weight; something you ain’t going to be able to lift too easy. You have to understand we’re working on a string, and Steve is throwing us a bone, giving us the studio and everything, and we are terrified about how expensive it is and he just went the extra mile. That’s the way it works and that’s where I come from. You get the job fucking done.
thefastertimes.com/music/2011/06/21/a-song-is-something-you-build-jason-molina-in-conversation-with-justin-taylor-pt-i/
@kangace thank you so much for this. I have become obsessed with this song and this explains so much. The spontaneous live energy had an alchemy. Also I can’t Levine that that powerful ending of “listen” has such a practical intention but instead elevated it to another level.