"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Sitting on a park bench
Eying little girls with bad intent
Snots running down his nose
Greasy fingers smearing shabby clothes, hey, Aqualung
Drying in the cold sun
Watching as the frilly panties run, hey, Aqualung
Feeling like a dead duck
Spitting out pieces of his broken luck, oh, Aqualung
Sun streaking cold, an old man wandering lonely
Taking time, the only way he knows
Leg hurting bad as he bends to pick a dog end
He goes down to a bog and warms his feet
Feeling alone, the army's up the road
Salvation a la mode and a cup of tea
Aqualung, my friend, don't you start away uneasy
You poor old sod, you see it's only me
Do you still remember
December's foggy freeze
When the ice that clings on to your beard
It was screaming agony
Hey and you snatch your rattling last breaths
With deep-sea diver sounds
And the flowers bloom like
Madness in the spring
Sun streaking cold, an old man wandering lonely
Taking time, the only way he knows
Leg hurting bad as he bends to pick a dog end
He goes down to a bog and warms his feet
Feeling alone, the army's up the road
Salvation a la mode and a cup of tea
Aqualung my friend don't you start away uneasy
You poor old sod, you see it's only me
Aqualung my friend don't you start away uneasy
You poor old sod, you see it's only me
Sitting on a park bench
Eying up little girls with bad intent
Snots running down his nose
Greasy fingers smearing shabby clothes, hey Aqualung
Drying in the cold sun
Watching as the frilly panties run, hey Aqualung
Feeling like a dead duck
Spitting out pieces of his broken luck, hey Aqualung
Oh Aqualung
Eying little girls with bad intent
Snots running down his nose
Greasy fingers smearing shabby clothes, hey, Aqualung
Drying in the cold sun
Watching as the frilly panties run, hey, Aqualung
Feeling like a dead duck
Spitting out pieces of his broken luck, oh, Aqualung
Sun streaking cold, an old man wandering lonely
Taking time, the only way he knows
Leg hurting bad as he bends to pick a dog end
He goes down to a bog and warms his feet
Feeling alone, the army's up the road
Salvation a la mode and a cup of tea
Aqualung, my friend, don't you start away uneasy
You poor old sod, you see it's only me
Do you still remember
December's foggy freeze
When the ice that clings on to your beard
It was screaming agony
Hey and you snatch your rattling last breaths
With deep-sea diver sounds
And the flowers bloom like
Madness in the spring
Sun streaking cold, an old man wandering lonely
Taking time, the only way he knows
Leg hurting bad as he bends to pick a dog end
He goes down to a bog and warms his feet
Feeling alone, the army's up the road
Salvation a la mode and a cup of tea
Aqualung my friend don't you start away uneasy
You poor old sod, you see it's only me
Aqualung my friend don't you start away uneasy
You poor old sod, you see it's only me
Sitting on a park bench
Eying up little girls with bad intent
Snots running down his nose
Greasy fingers smearing shabby clothes, hey Aqualung
Drying in the cold sun
Watching as the frilly panties run, hey Aqualung
Feeling like a dead duck
Spitting out pieces of his broken luck, hey Aqualung
Oh Aqualung
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Fast Car
Tracy Chapman
Tracy Chapman
The Night We Met
Lord Huron
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This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
This is about bronies. They communicate by stomping.
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
In my opinion, he first and last verses are the harsh, loud view of the casual passerby or society. Note the very different volume and style used to play verses 1 and 4, as opposed to the intimate, acoustic sound of 2 and 3. Only verses 2 and 3 tell the truth. It is the unsympathetic among us that assume he is a pervert (eying little girls with bad intent, watching as the frilly panties run), simply by his presence in a public park where kids play. If we assume he is a child molester, we don't have to feel sorry for not helping him. But in verses 2 and 3, we understand the truth- he is just an old man wandering lonely, sick, in pain, and about to die. Since the singer calls him "my friend" and is sympathetic in verses 2 and 3, it is clear that the songwriter does not view him as a pervert or child molester. Once you get up close to the homeless man, you realize his humanity. I have read that Ian Anderson's wife was taking pictures of the homeless at the time she inspired the song. Her subjects might start away uneasy, but it's doubtful she would feel sympathetic if somehow she truly knew her subject was a molester. This is a song about the unfortunate and misunderstood, it does not celebrate a real molester. Ironic, because without the shock value of the child molester "eying little girls with bad intent," this song would never have been so popular. This is absolutely one of the best rock and roll songs of all time, even though it has been misunderstood forever. Jethro Tull was my first rock concert back in 1973. Thanks, Ian Anderson.
@pieguy3 I read Ian Anderson actually admitted to this interpretation of the song.
@pieguy3 Ill be a monkey's uncle. I think you nailed it.
@pieguy3 That is what I love about this song. It shifts back and forth between the subject just being some gross pervert, the perception at a glance, and the sympathetic look at a lonely old man dying slowly in the gutter.
@pieguy3 That is what I love about this song. It shifts back and forth between the subject just being some gross pervert, the perception at a glance, and the sympathetic look at a lonely old man dying slowly in the gutter.
This is an excellent post. Has Ian Anderson every commented on this post. It would be great for him to clarify this ambiguity - since obviously it is important to garner empathy for people who happen to be homeless, but to not glorify being a "child molester."
@pieguy3 Great interpretation! I think that nails it.
@pieguy3 Any word from Ian Anderson on this? I think he should clear this up since I assume he would not want to glorify molesting type behavior.
I understand the pieguy3 says he read Ian admist this interpretation, but where can I read that?