The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
The magnificent seven
Ring, ring, it's 7:00 A.M.
Move yourself to go again
Cold water in the face
Brings you back to this awful place
Knuckle merchants and your bankers too
Must get up and learn those rules
Weather man and the crazy chief
One says sun and one says sleet
A.M., the F.M. the P.M. too
Churnin' out that boogaloo
Gets you up and it gets you out
But how long can you keep it up?
Gimme Honda, gimme Sony
So cheap and real phony
Hong Kong dollar, Indian cents
English pounds and Eskimo pence
You lot, what?
Don't stop, give it all you got
You lot, what?
Don't stop, yeah
You lot, what?
Don't stop, give it all you got
You lot, what?
Don't stop, yeah
Working for a rise, better my station
Take my baby to sophistication
Seen the ads, she thinks it's nice
Better work hard, I seen the price
Never mind that it's time for the bus
We got to work and you're one of us
Clocks go slow in a place of work
Minutes drag and the hours jerk
Yeah, wave bye, bye (when can I tell 'em what I do?)
(In a second, maan, alright Chuck)
Wave bub-bub-bub-bye to the boss
It's our profit, it's his loss
But anyway the lunch bells ring
Take one hour, do your thang
Cheeesboiger
What do we have for entertainment?
Cops kickin' gypsies on the pavement
Now the news has snapped to attention
Lunar landing of the dentist convention
Italian mobster shoots a lobster
Seafood restaurant gets out of hand
A car in the fridge, a fridge in the car
Like cowboys do in TV land
You lot, what?
Don't stop, give it all you got
You lot, what?
Don't stop, huh
You lot, what?
Don't stop, give it all you got, yeah
You lot, what?
Don't stop
So get back to work and sweat some more
The sun will sink and we'll get out the door
It's no good for man to work in cages
Hit the town, he drinks his wages
You're frettin', you're sweatin'
But did you notice, you ain't gettin'
You're frettin', you're sweatin'
But did you notice, not gettin' anywhere
Don't you ever stop, a long enough to start
Take your car outta that gear
Don't you ever stop, long enough to start
Get your car outta that gear
Karlo Marx and Frederick Engels
Came to the checkout at the 7-11
Marx was skint but he had sense
Engels lent him the necessary pence
What have we got? Yeah, ooh
What have we got? Yeah, ooh
What have we got? Magnificence
What have we got?
Luther King and Mahatma Gandhi
Went to the park to check on the game
But they was murdered by the other team
Who went on to win fifty-nil
You can be true, you can be false
You'll be given the same reward
Socrates and Milhous Nixon
Both went the same way through the kitchen
Plato the Greek or Rin Tin Tin
Who's more famous to the billion millions?
News flash, 'Vacuum cleaner sucks up budgie'
Ooh, bye-bye, bub-bye
The magnificent seven
Magnificent
Magnificent seven
Ring, ring, it's 7:00 A.M.
Move yourself to go again
Cold water in the face
Brings you back to this awful place
Knuckle merchants and your bankers too
Must get up and learn those rules
Weather man and the crazy chief
One says sun and one says sleet
A.M., the F.M. the P.M. too
Churnin' out that boogaloo
Gets you up and it gets you out
But how long can you keep it up?
Gimme Honda, gimme Sony
So cheap and real phony
Hong Kong dollar, Indian cents
English pounds and Eskimo pence
You lot, what?
Don't stop, give it all you got
You lot, what?
Don't stop, yeah
You lot, what?
Don't stop, give it all you got
You lot, what?
Don't stop, yeah
Working for a rise, better my station
Take my baby to sophistication
Seen the ads, she thinks it's nice
Better work hard, I seen the price
Never mind that it's time for the bus
We got to work and you're one of us
Clocks go slow in a place of work
Minutes drag and the hours jerk
Yeah, wave bye, bye (when can I tell 'em what I do?)
(In a second, maan, alright Chuck)
Wave bub-bub-bub-bye to the boss
It's our profit, it's his loss
But anyway the lunch bells ring
Take one hour, do your thang
Cheeesboiger
What do we have for entertainment?
Cops kickin' gypsies on the pavement
Now the news has snapped to attention
Lunar landing of the dentist convention
Italian mobster shoots a lobster
Seafood restaurant gets out of hand
A car in the fridge, a fridge in the car
Like cowboys do in TV land
You lot, what?
Don't stop, give it all you got
You lot, what?
Don't stop, huh
You lot, what?
Don't stop, give it all you got, yeah
You lot, what?
Don't stop
So get back to work and sweat some more
The sun will sink and we'll get out the door
It's no good for man to work in cages
Hit the town, he drinks his wages
You're frettin', you're sweatin'
But did you notice, you ain't gettin'
You're frettin', you're sweatin'
But did you notice, not gettin' anywhere
Don't you ever stop, a long enough to start
Take your car outta that gear
Don't you ever stop, long enough to start
Get your car outta that gear
Karlo Marx and Frederick Engels
Came to the checkout at the 7-11
Marx was skint but he had sense
Engels lent him the necessary pence
What have we got? Yeah, ooh
What have we got? Yeah, ooh
What have we got? Magnificence
What have we got?
Luther King and Mahatma Gandhi
Went to the park to check on the game
But they was murdered by the other team
Who went on to win fifty-nil
You can be true, you can be false
You'll be given the same reward
Socrates and Milhous Nixon
Both went the same way through the kitchen
Plato the Greek or Rin Tin Tin
Who's more famous to the billion millions?
News flash, 'Vacuum cleaner sucks up budgie'
Ooh, bye-bye, bub-bye
The magnificent seven
Magnificent
Magnificent seven
Lyrics submitted by Punkloser71, edited by jpaulo, woody27, CatActual
The Magnificent Seven [Edit] Lyrics as written by Mick Jones Joe Strummer
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Lyrics powered by LyricFind
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
Fortnight
Taylor Swift
Taylor Swift
Standing On The Edge Of Summer
Thursday
Thursday
In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
CHEESEBOIGA!